Author:
A review of Lady Director by Joyce Chopra
Only, how to break into the male-dominated world of film? Not that that was her explicit goal when she graduated, but one thing she did not want to do? “There weren’t many jobs available for a young woman of twenty-one with a degree in comparative literature,” she writes, but she didn’t want to become a secretary. If she did that, “I would irrevocably land on the slippery slope to nowhere.”
A review of The 99 Boyfriends of Micah Summers by Adam Sass
The 99 Boyfriends of Micah Summers is not exactly a story begging you to unravel it (the happily ever after is apparent early on) but it does make one thing clear – Adam Sass is just as capable a builder of romance as he is of mystery. And Micah Summers’ story benefits from Sass’s adept management of both genres.
Love of Language: an Affirmation: A Review of Tina Cane’s Year of the Murder Hornet
The title poem is a road map to the rest of the collection, both in content and in form. The poem begins with a “cloud of pollen” that chases the ‘I’ and encompasses a myriad of recent occurrences: being “overpowered” by magnolia petals, which the reader might consider positive, but which overwhelms the ‘I’; the “murder hornet” itself, that threatens on a literal level but also represents the consequences of human behavior, such as the increasing frequency of viruses like the coronavirus, weather and climate change, and the horrors in the daily news.
A review of The Night Divers by Melanie McCabe
As you move through the poetry in this collection, it may seem as if the writer is resolved to experience her pain in its most primordial form, without barrier, defense, or comfort. Such sentiments break the surface in “Martyr”: “I permit myself neither opiate nor anodyne. I poke my finger straight into the socket—press my tongue hard to the ice-slick chain link.” The atonement of a survivor is operative here, but there is more.
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An interview with Julia Brewer Daily
The author of The Fifth Daughter of Thorn Ranch talks about her new book, research, personal connection to the work, the fact behind the fiction, women’s reproductive rights, and more.
A review of V8 by PS Cottier and Sandra Renew
A book about cars, motorbikes, etc? How strange I said to myself and wondered what poems about vehicles would look like. With what enthusiasm would I be reviewing it if I have no attachment or love for any form of transport? I knew that both poets were excellent writers and award winners so that gave me hope. Anxiously, I opened the book and started to read…and was mesmerised from the first few poems.
An Interview with Xu Xi, author of Monkey in Residence and Other Speculations
Xu Xi is an Indonesian-Chinese novelist, fiction writer, and essayist from Hong Kong who became a U.S. citizen at the age of 33. Author of fifteen books, including, most recently, Monkey in Residence and Other Speculations (Signal 8 Press, UK, November 1, 2022), This Fish is Fowl: Essays of Being (Nebraska 2019), Dear Hong Kong: An Elegy for A City (Penguin 207), That Man in Our Lives (C&R 2016), she also co-authored The Art and Craft of Asian Stories (Bloomsbury, 2021). In this interview she talks about her latest book, her inspiration, her typical writer’s day, and more.
A review of The Writer Laid Bare by Lee Kofman
One of the key tenets of The Writer Laid Bare is the importance of paying attention. This almost obsessive focus is the writers’ stock-in-trade. Kofman calls it voyeurism, but in our attention-starved culture, being able to lock onto the details contained within a moment is more than just a tool to make our work more interesting (though Kofman makes a good case for that), it’s revolutionary.