Nature accompanies themes of motherhood, memories and imagination. Mead has an incredible control of the language and knowledge about plants and animals which is infused in poetry meticulously created.
Category: Poetry Reviews
A review of Dandelion by Heather Swan
This is eloquent language. I find Swan’s syntax convincing and superior to many eco-poets I’ve read throughout the past decade. Her “Crop Duster” carries forth, in poetry, the very concerns Rachel Carson presented in prose in the 1960s and prior. Swan’s “Crop Duster,” (Pg.32-36) written in eight enumerated sections, tells of spraying used to suppress the gypsy moth, of an immune-compromised child, a lump in the girl’s neck.
A review of The Braille Encyclopedia by Naomi Cohn
Neither The Braille Encyclopedia, nor Rebecca Solnit’s “Cyclopedia of an Arctic Expedition,” which influenced Cohn, are mere catalogues though. While Solnit comments on the act of remembrance, a travelogue about a vanishing place using the form’s citational structure, Cohn’s use resembles remembering itself. If the absence of this web structure is felt, it also highlights how the book is less about its valid critiques of legalistic definitions of blindness or a piquant connection between the Andean abacus-like Quipu and braille as devices where “stories were stored in arrangements of strands.”
A review of Steerage by Robert Cooperman
Cooperman’s narrative proceeds with something of the inevitability of a Greek tragedy, all three children under Big Nathan’s thumb, Rivka and Simon the chorus supplying the agonizing commentary in their strophe and antistrophe. When Big Nathan promotes Moshe from the role of enforcer, beating up the delinquent shopkeepers, to prizefighter, Moshe starts to come into focus as Brando’s Terry Malloy in On the Waterfront.
A review of By This Time—Poems by Ian Ganassi
By picking out what was a random unnoticed cultural fragment and placing it before us, the poet is not presenting it as a truth but is assigning it value: this bit is worth paying attention to, he’s telling us, even though doing so yields no clarity and brooks no complacency.
A review of The Loneliest Whale in The World by Tom Hunley
Throughout the book, the poet offers a view of life that is full-throated and built around generosity, tenacity, openness to joy and to wanderlust. He asks us to shake up our complacency, to be fierce and open to seeing things through a different lens. It is an urging to live life fully even in the midst of circumstances that are harrowing.
A review of Wild Pack of the Living by Eileen Cleary
The words are sharp; they make the matter of fact description of the act of abduction feel like tearing off one’s fingernails. It would be hard to read this without holding one’s breath in fear.
Ghost Tones: A Review of Diane Mehta’s Tiny Extravaganzas
I found myself first reading Mehta’s poems on a sunny, hot, false summer October day and listening to my neighbor’s music that swirled up and over my fence and into my yard. It was strange music–ghostly.
A review of Wild Pack of the Living by Eileen Cleary
In this tale of humans gone wrong, and the powerful presence of the natural world as witness, the flowers do not cloy; they arrive, watch, and listen—plants accompany, then entrap. “Dog lilies and the larkspurs may have heard.” “Day lilies escort us.” “downed pines trap me.”
A review of Tight Bindings by Sarah Temporal
The poems pivot around the birth of a daughter, expanding outward from child to woman to humanity to universe and back again to the daughter. A cycle that repeats itself, Fibonacci-like throughout the book, utilising fairy tales, legend, place, and experience to create an overarching story of female transformation that feels simultaneously intimate and mythic.