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Toss in an attention-averse internet celeb, a shy New Englander fleeing an abusive spouse, the theft of a bejeweled faux Fabergé egg, an enigmatic dominatrix, and a gaggle of superannuated, hilariously rapacious divorcees, and you have a combustible mix. Divorce Towers is classic Ellen Meister — fast-paced, breezy, and funny AF.If you’ve liked Meister’s other offerings, you will surely love this one.
Alive takes us on a tour of the body by chapter, from bones to lungs to kidney to womb. Weston works hard to turn an anatomy tutorial into a story – or perhaps infuse a story with a bit of a tutorial. Each section provides a scientific and historical overview of the organ in question, a personal narrative of a patient, and often a journey into the role of the treating physician.
The origins of Seuss’ work, as she reminds us repeatedly in Modern Poetry, are unpretentious. Her literary intellect has been assembled piecemeal from disparate elements, some Colette and Conrad here, a little Baudelaire and Morrison there. More importantly, her poetic prowess has evolved from a lifetime in lowdown trenches.
The Strings Are Lightning And Hold You In, is a poetry collection that transcends time and history, weaving stories of tradition with the unfolding events of the present, connecting the wild with the domestic, and masterfully interlocking the spiritual with the tangible. In this collection, words become a conduit for much more than a story and yet are almost too little to contain its incandescent quality.
The Author of To the Midnight Sun: A Story of Revolution, Exile and Return talks about his new memoir and the processes around writing it, how he found the time, on finding his literary voice, about the character of his grandmother, identity, revolution, and lots more.
While they can be termed as confessional, there’re no calculated calls for pity or sympathy in them, (unlike quite a few contemporary poems). Rather, most poems look at the broader socio-historic picture and compute personal reflections with a sense of objectivity where possible.
Skeletons, dusty books and stale bodies exist seamlessly alongside a newborn swimming in safe waters, and the bending of dandelions that don’t break. All imprinted firmly in Faulkner’s words, they peel back the cover on her own aches and elations about this experience of being human.
As is evident in her line about her mother telling her through her tears that she loves what her daughter’s done with her hair, Brimhall has a delightfully sly sense of humor. It’s on display in poems like “Admissions Essay” (“I could have been valedictorian if the metrics / were ardor and potential for transformation”), “Ode to Oxytocin at a Distance,” “I Would Do Anything for Love but I Won’t” (“cook lobster.
Melrose has a strong and distinct voice which stands out, with a language that is fresh, with a unique perspective. Her poems often carry multiple layers of meaning. On the surface the poems recount childhood memories and family stories, but deep reading reveals themes of identity, gender issues, sexual politics, and existential questions.
Writing in a conversational and engaging style, Peter couples solid science with personal anecdotes, and tempers cold hard facts with his informed opinions. Bibliographic endnotes document the text, yet scholarly research rarely impedes the flow of the narrative. While credentialed as an MD, Grinspoon is no stuffy pedantic academic. As an undergrad lit major and grad student in philosophy, this Medical Doctor taps into his creative inner writer.