For Alvin Eng, a Chinese American punk rocker who is now an educator and a playwright, this has meant ‘a spiritual state of homelessness,” moving between the Foo J. Chin Chinese Hand Laundry and an American frame of reference. This reflective and personal narrative is his first memoir, and a change from his dramatic writing.
An interview with Jane Enright
The author of Butter Side Up talks about her new book its unique hybrid of memoir and how-to, the book vs her speaking gigs, the accompanying playbook, Jane’s Jam and how the two should be used together, and more.
A review of A Longing for Impossible Things by David Borofka
Regardless of the failings of his narrators and assorted ne’er do well characters, these tales are told in a generous, recognizably human voice, marking Borofka as a writer in whose company you’ll find deep pleasure. Characters’ failings are both unflinchingly observed and held in tender, witty regard, even after a lifetime of screw ups. Most are wrestling with the gap between their modest youthful dreams and the limits imposed by adult realities.
A review of How to Be Between by Bastian Fox Phelan
Bastian Fox Phelan’s memoir How to Be Between leans right into these societal norms, exposing them for the controlling mechanisms that they are, designed to make use feel chronically inadequate so we’re easier to sell to or control. These norms force an unnatural binary between male and female, attractive and unattractive, straight and queer. How to Be Between rejects these binaries and instead offers up the possibility of living a life without such constraints.
An interview with Bad Mothers, Bad Daughters’ Maya Sonenberg
Irish novelist and short story writer Shauna Gilligan interviews Bad Mothers, Bad Daughters’ author Maya Sonenberg about the stories in her new book and how they echo one another, notions of identity, artefacts, family dynamics, time and perspective, emotions, transitions, and lots of other things both deep and fun.
Empathy and Memoir: A Review of Cheryl Klein’s Crybaby
As a thirty-nine year old woman who is navigating fertility clinics and the adoption process, I inhaled this book, which is about a woman, Klein, trying to have a baby. In my online yoga class, we are asked to stretch up to the point where it hurts. This is how far Klein takes her writing: to the point it hurts, presumably for her and definitely for the reader.
A review of Rose Interior by Tracy Ryan
Ryan’s poems in Rose Interior explores inner space as well as the outside world of plants and animals, real or imagined, relationships, experiences and feelings. It is an exquisite and transformative collection.
Mothering machines: Sasha Stiles’ Technelegy
Whispers are words made gentler and Stiles whispers to her readers throughout Technelegy. As importantly, in Promethean fashion, her whispers are giving life to a new existence. Technelegy is the name of Stiles’ AI alter-ego. Built using a text generator called GPT-3, it draws on existing texts, borrows grammatical structures and vocabulary, and creates anew.
A review of Sapphic Touch edited by Suman Lahiry and Heidi Chappelow
Having edited three anthologies and coedited two others I know by experience what an intense and complicated job it is to compile and edit them. The editors have done a fantastic job, I really appreciated that they were ethnically inclusive and selected not only well-known poets but also emergent and new ones.
A review of Body Shell Girl by Rose Hunter
Told in vivid verse form, she recounts her reluctant initiation into the sex industry in Toronto, in response to her stark economic circumstance – always a means to an end – through the collapse of her dreams of film school and a career in filmmaking, her hardening into “the life,” to her resignation that sex work is all her life will ever amount to.