Book Reviews
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The Buried Giant is not an easy book. Its simple prose belies the complexity of the narrative, and the multiple layers of meaning as Ishiguro presents us with extremes that are equally unpalatable, and both of which could well be seen as the modern condition. At times, the fog is enough to engulf the reader, and the work seems to be as obscure in its meaning as the location of Beatrice and Axl’s son’s village.
To my mind, this is a clear, convincing and rounded account of the Holocaust, the best we have had to date. Snyder makes telling use of Russian, Polish, and Ukrainian sources and he also pays meticulous attention to what the Nazis themselves wrote and said. The result is a context and a narrative in which – and, yes, it sounds almost immoral to say this – the Holocaust makes a kind of sense.
Martin Langford reads from his new poetry book Ground, and talks about his overarching principle of spaces places and the evolution of the book as a collection, about time and timelessness, about Australian history and how it plays out in…
Ultimately, what Lists of Note shows us is that we’re not alone in our desire to tame the rush of information, tasks, and needs that bombards us everyday. Listmaking is both rational and helpful in our chaotic lives and has always been so. More importantly, Lists of Note teaches us that the list, is more than ephemera. It is a key to who we are, and at its best, can actually be a beautiful, and even artistic medium.
Beyond the mistakes and the failings of humans which are highlighted in these poems, there is something that redeems us. We can, and must, love, and transcend. IV is a collection poetry about the ephemeral nature of life, of pain, about how we learn, grow, become mindful/present/enlightened, and above all, about love. No matter how much we’ve severed, sutured, eluded and deconstructed, love is always transformative.
Jesih is from Slovenia. Natural aspects of this country, along with the author’s own thrust toward existential questions, serve to inform the poems in the book. He takes notes while walking, while reflecting, and brings the reader along for the journey. One gets the sense from his poetry that Jesih is a peripatetic wordsmith.
Though the lessons that Langford presents through this work are harsh, the writing never falters. It is always lyrical, exquisite, and ultimately affirmative. Though there is nothing didactic about Ground, these are poems that teach us know to go on in the face of what we’ve done, through words, dance, sorrow, attention and ultimately love.
It’s the story of many things at once: a country torn apart by power factions and manipulation, a story of a man and what happened to his patriotism over time, a story about genetic and cultural inheritance, a story about migration, and above all, what it means to lose a home—something as relevant today as it was during the time of Alizadeh’s migration.
After You has many strengths, including an important theme and a compassionate, capable central character who follows her instincts in the face of unsolicited advice. Well structured, with much dramatic tension, After You can stand alone, independent of Me Before You. Significant information from the earlier novel is worked smoothly into the narrative in a way that maximizes suspense.