Category: Book Reviews

Book Reviews

Interview with Carmel MacDonald Grahame

The author of Personal Effects reads from and talks about her novel and how the story came together, about the cyclical (and pieced together) nature of time in her book, about mosaic (pique assiette) and its role in the novel,…

A review of The Seacrest by Aaron Paul Lazar

I think it’s probably fair to say that Aaron Paul Lazar is one of the most readable of authors. His books are engaging, warm, and moving in a way that, if it’s a tad old-fashioned, still retains a modern sensibility and drama that comes from the real issues the work tends to address. I’ve been reading his mysteries for a long time now, and as someone who doesn’t tend to like genre novels, have always been drawn in by the way the plot is shaped by a deep sense of character development.

A review of Personal Effects by Carmel Macdonald Grahame

Personal Effects is the story of a couple on the move –repeatedly changing country in search of work, exiled and migratory, homeless yet rooted through their sense of family; of consistency in their relationship. Beyond that the story explores what we lose and what we gain, throughout any ordinary life. It explores the shifting and cyclical perceptions of time passing, and it examines, in a deep, poetic way, the way we make meaning out of our lives.

A review of Writing Wild by Tina Welling

Tina Welling wrote Writing Wild: Forming a Creative Partnership with Nature, to share an insight she had while hiking near her home in Jackson Hole, Wyoming, a location which attracts visitors from all over because of its magnificent scenery and wildlife. While walking, she experienced “the interconnectedness between the earth’s creative energy and [her] own personal creative energy.” Since then, Welling takes “spirit walks” in nature to replenish her resources and let the earth’s energy provide insights and answers.

A review of Split by Cathy Linh Che

Split by Cathy Linh Che is an honest piece of literature. There is no need for Che to prove her talent as a poet. The poems in Split do this and more. Che uses the pen as a mirror. What she sees—including significant events that impact her personal and familial life—she puts on paper in ways that approach mastery of the art of poetry.

A review of The End of the World by Maria Takolander

As the title implies, Maria Takolander’s The End of the World makes no pretence at sweetness or ease. While there is certainly a tenderness in the poems of childbirth and domesticity that open the collection, but despite the maternal softness that draws the reader in from the start of many of these poems, the collection has an underlying ferocity which takes the reader below the superficial, into the heart of meaning as revealed by the intensity of each moment it encounters.

A review of In the Chameleon’s Shadow by Mark Hummel

Conversations are convincing, dialogue is used to enhance and move the narrative forward. Characters are well fleshed. Settings are authentic. The reader is drawn into the narrative slowly at first, but completely, and is held fast in the grip right to the last paragraph. The tale is well plotted, the ending is not predictable or formulaic, but is satisfying as well as a bit bittersweet.

A review of Biblical by Christopher Galt

I would categorise Biblical as historical surrealistic science fiction—or better yet, philosophical science fiction. However, it crosses almost every genre. Galt (the pseudonym of a mysterious best-selling crime fiction author) is clearly a master storyteller. He hasn’t simply grabbed an idea and run with it. The amount of research that has gone into the book is mind-numbing—and it’s detailed: Viking history, the holocaust and the complexities of quantum physics just to name a few.

A review of The Killer Is Dying by James Sallis

Without wishing it to sound anything like routine: another extraordinary novel from James Sallis.

This one, like many of his others, is hard to pin down exactly. Paranormal, science-fiction and metaphysical elements vie within a crime story a la Savage Night, about a hitman on his last job. Perhaps that catch-all label ‘slipstream’ will have to cover it.