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Edenland is the evocative title of an evocative novel set in the early days of the US Civil War. Its story plunges us into the Great Dismal Swamp that straddles Virginia and North Carolina, and never quite allows us to escape the treacherous waters that threaten to engulf its protagonists.
It is an excellent package overall and would make an ideal complement to an elementary textbook on tactics. You could think of it as being a kind of missing workbook. By diligently attempting to solve each position you will undoubtedly increase your tactical skill.
Though the narrative presents a fast-paced story of ambulance, medication, confusion and return, we’re in the realm of poetry, which can be dream-like, with a multitude of simultaneous meanings. The poems operate on several levels at once, from the struggles of a failed body and its attempts to come back from the nightmare of motor neurone degradation, to the writer’s daily struggle to make sense of language and the self against an increasingly incomprehensible world.
I would categorize this book as historical fiction first and foremost, though it is touted as magical realism. I had this in the back of my mind as I read, but other than Beulah’s mysterious arrival in town and her omnipresence for most of the rest of the book, the “magical realism” elements weren’t obvious—until the end. This is where Graham’s gift of storytelling shines through
Mari Bailey has created an unnerving, roller coaster ride of a narrative for her readers. Dream Stalker is sure to draw young adult readers into the account and hold them spellbound while reading this attention-grabbing, suspense-filled page turner. Readers will find the work hard to put down as they devour passage after electrifying passage.
The author of No Rest for the Wicked. drops by to talk about his work, his editing process, where he gets his ideas, his secret novel, his writing routine, his favourite books, best writing advice, promotion tips, and lots more.
Caroline Rose is one of the performers who is keeping the singer-songwriter tradition alive, one of the performers who is keeping the independence music scene a resource for liberation: so are Alabama Shakes, Arctic Monkeys, Bright Eyes, Broken Bells, Camera Obscura, The Dears, Father John Misty, Foster the People, Rhiannon Giddens, Valerie June, Frank Ocean, Josh Ritter, Savages, St. Vincent, and Vampire Weekend.
These stories, which function to cast a dim aura to the otherwise miserable objects, are “Unerhörten” in the two sense of that German word: they are “unheard” and “unheard of”—unknown and outrageous, suppressed and surprising. But for the non-German speakers, this adjective carried a third meaning: it was impossible to hear them, because all the stories could only be read in German. Until now, that is. The 78 stories in the entire collection have been translated into English by You Nakai and Alexander Booth, assembled together following the order of their weight, and published as the official catalogue raisonné of the museum.