Tag: poetry

A review White Horses by Linda Blaskey


Horses also showcases Blaskey’s eye and ear for nature poetry. The collection bounces back and forth across the country to the Ozarks to the midwest to the Delaware coast. But Blaskey is most at home in rural settings where “a combine sits idle in a half-harvested soybean field” or where “ grasshoppers stirred up from weeds leap onto your legs and arms.”

A review of Stopgap Grace by Neil McCarthy

The poems are dense, lusty in the old sense of the word—in their intentness on the uniqueness of each contemplated experience. McCarthy’s metaphors are fresh and lovely; line-by-line, the writing is often astonishingly beautiful.

A review of Eager to Break by Eliana Gray

Eliana Gray’s latest poetry collection, Eager to Break, is assured, quiet, charming, and intense all at the same time. The work engages directly and openly with inherently distressing themes like sexual violence, mental illness, fear, PTSD and its many manifestations and loss, but always, and perhaps uniquely, with a muted joy – as if the opportunity to play with words this way, against such pain, were a gift.

A review of Belief by Les Wicks

Belief is an elaborate mosaic where the tiles are words; paradoxes, satire and the vernacular adorn the pages of this beautifully crafted book. Belief is divided into seven sections, each section opens a door to two worlds: one the writer’s imagination and psyche and the other opens to the external world.

Robert McDowell’s Narratives in Quiet Money and The Diviners

To understand the poetry of Robert McDowell, it is important to see him through the lens of the late, great poet Philip Levine, whom Robert McDowell recalls proclaiming, “Robert, he’s his own cat!” In a way that is prophetic and unique, Robert McDowell enters the circus of human stories, and tells them wryly, reminding us that humor exists even in some of our darkest and bleakest moments.

A review of brookings: the noun by Jennifer Maiden

As with all of Maiden’s books, brookings: a noun is powerfully astute and thought-provoking, pulling together disparate ideas, deep emotion, and critical thinking and empathy in places where they’re often not found. Above all though, Maiden is a poet’s poet, with a rich lyrical ear.

A review of Known by Salt by Tina Mozelle Braziel

Braziel’s lyrical, captivating voice will no doubt only get richer and stronger as she continues to write. Yet, the young voice she has now is so fine, lovely, true, and strong. Readers can only begin to imagine what might come next from this rising star of modern poetry.

A review of Visits and Other Passages by Carol Smallwood

Readers used to poetry collections or volumes where the prose knows if it is fiction or nonfiction might at first be perplexed by the way genre boundaries are transgressed or redrawn this time around. But my bet is that those who come with a spirit of adventure will be rewarded by the irreverence and innovation on almost every page. Visits and Other Passages provides enough threads of a motif that knits up a quest myth, patterns of loss and recovery, and the power of visitation.