Tag: poetry

A review of A Cartography of Home by Hayden Saunier

Saunier’s skills as a poet are showcased throughout this collection, but she works deftly and quietly, never browbeating the reader. A first read allows a simple pleasure in the words; it is upon a second and third read that nuanced layers unfold. For example, “Dirt Smart” begins with the lines, “You have to eat a peck of dirt / before you die, my grandma said. / I worried. Do I have to?” The poem continues with a description of the grandmother’s hard scrabble childhood in the tobacco fields “dug deep with labor, slaughter / and someone’s finger weighting every scale, / the way most land accumulation’s won.”

A review of A Review Failure Lyric by Kristina Marie Darling

In Failure Lyrics, she seems to resonate with the words of Browning’s failed lover who sighed to say, “Fail I alone in words and deeds/ Why, all men strive, but who succeeds?” Adamant defiance, compulsive self-acceptance, a foray into the world of failures much as a bastion dreaded by all, loved[!] by few, very few! How can one fall in love with failure? It may irk us to see the successful folks around but can anyone be complacent with failure, let alone come to terms with it considerably? Perhaps, therein lies the secret of Darling’s powerful, highly experimental verses.

A review of A God at the Door by Tishani Doshi

With irony and compassion, Tishani Doshi takes on so many of the calamities of our modern world in this truly comprehensive collection.  From the treatment of immigrants and women to the pandemic, climate change and political tyranny, she aims her words at the injustices and tragedies that sometimes seem to overwhelm us. But through her humor and wisdom she offers a tentative, fragile vision of a redemption available to all of us, an attitude we can all adopt. 

A review of the light we cannot see by Anne Casey

As with all of Anne Casey’s work, the poems in the light we cannot see contain a deep underlying humanism that comes through every poem. Perhaps this is the light we cannot see – a rich illumination more felt than seen, providing hope through the many threads of grief that connect the poems in this collection. Many of the poems are inspired by Casey’s Irish heritage, shot through with Gaelic motifs that link the poems, from a brilliant coupling of “The Second Coming” by WB Yeats and the Coronavirus to a plait or DNA-shaped prayer to Celtic goddess Brigid.

A review of Selected Poems 2002-2021 by J R Solonche

The poetry in this book is varied in style, form, and theme. The reader will find prose poems, free verse, haikus, lists, ghazals, sonnets, and many anaphora poems. The poet’s poems on his relationship with life go from the most profound to the most trivial. Many poems are philosophical, while others are about nature, human feelings, and small events of daily life like driving on a highway, observing his daughter while she swims, or saying goodnight.

A review of While Listening to the Enigma Variations by Diane Frank

As the title of Diane Frank’s stunning collection of new and selected poems suggests, with its reference to Edward Elgar’s exquisite orchestral suite, music is an important theme throughout her work. Dance, spirituality, dreams, and love are as well. They all add up to profound wisdom and convey a sense of joyfulness.

A review of Know Your Country by Kerri Shying

Shying never puts on airs, using words with absolute precision. The work has many themes and encompasses several, often competing realities. The most prevalent one pivots around the notion of identity. One’s country is not just the place you live or come from, but also its history, and what it has come to represent. It is not just nationhood, but the earth beneath your feet, the flora, and fauna, the space of the heart.

A review of Life in a Field by Katie Peterson

When I look at a donkey’s face (there are two in a photograph on the book’s cover), I see a vulnerability in the expression, coming from the slant of the eyes and the slight silliness in the largeness of the ears, suggesting a melancholy that leads me to suspect the animal might do better with a bit of attention or comforting. In a horse’s face, by contrast, I see something sturdy and handsome. The central image that drives this book is a child speaking softly into a donkey’s ear. The poignancy of this scene is never emphasized or exploited, which allows the emotion to expand in its own way, having a gradual effect on the reader.

A review of Mario Writes a Poem a Day for a Year, and So Can You by Mario Milosevic

Why write poetry? Milosevic says it sharpens your mind, encourages concise writing, helps you appreciate the world, and most of all is fun. He encourages aspiring poets to “take advantage of the long tradition of verse” by familiarizing themselves with the work of other poets. I was pleased with this, as aspiring poets who have asked my help too often displayed total ignorance of great works of the past. Milosevic also tells budding poets to trust their instincts, quoting Allen Ginsberg’s principle: “First thought, best thought.”