I’d be lying if I said I didn’t spend time Googling these people, or that I wasn’t fascinated by the whole notion of what constitutes beauty – and the way in which it’s judged. Kofman doesn’t pretend to have an answer—Imperfect is not a didactic book, and nor does it present a thesis that beauty is more than ‘skin deep’ and that judgement in any form is bad–we cannot help gazing at the beautiful or indeed the shocking. What the book does show however, is that these are complex and important questions to raise and that familiarity and reflectiveness are a means to better understanding who we are.
Tag: memoir
A review of The Nail in the Tree by Carol Ann Davis
Davis expertly controls the narrative threads of their day-to-day reality while explaining what inspires her to write. Further into the book, these intimate details open up into a wider scope of the connection between life and art. She accomplishes this without appropriating the grief of the families with murdered children, instead Nail in the Tree tells how Davis’ life became what it is.
A review of Unlike the Heart by Nicola Redhouse
Redhouse is an exceptional science writer, and her research is extensive, making connections, incorporating anecdotes both personal and as part of her research, so that the overall effect is engaging, open-minded, informative and powerful. The hybrid effect allows for multiple perspectives that remain open-ended rather than didactic.
A review of Nina’s Memento Mori by Mathias Freese
Nina Wingard Freese was a retired special education teacher of autistic students who died as a result of ALS – Lou Gehrig’s disease. Contemplative and enhanced with photographs, the book presents Nina as a little girl and again several more times as she is growing up and as a young mother and then as a handsome, mature woman.
A review of Little One by Peter Papathanasiou
There is a great warmth and sincerity embedded within this memoir, mixed in with gentle humour, discussions of complex research on genetics, birth, death, siblings, parents, family, Greek culture, love. The genesis of the story arises from a secret, one of the biggest secrets a person can have revealed to them, that of their true origins.
A review of not a poster child: living well with a disability by Francine Falk-Allen
In her evocative memoir, not a poster child, Francine Falk-Allen achieves her goal of describing life well-lived while handicapped. In so doing, she fulfills another goal: to honor all handicapped individuals. What results is a remarkable story told in an easily accessible and conversational manner with intelligence, wit, and grace.
A review of The World Was Whole by Fiona Wright
There is so much about the human condition that is illuminated here in these beautifully written pieces. Wright takes the painful, the personal and the often unbearable frailty of life, and expands it so that the work becomes a celebration of being alive, of human resilience and of the beauty of the everyday.
A review of All The Answers by Michael Kupperman
As dementia begins to rob an already private and absentminded man of his memories, Michael becomes set on reconstructing his father’s childhood from recordings, news articles, and his father’s own accounts, in a journey to understand what had crafted his father into the man he is, and how that has formed Michael himself.
A review of The Museum of Words by Georgia Blain
The Museum of Words is a story about language and how it’s able to move between and beyond the constriction of time. At one point, Blain talks about the light coming in – a dawning awareness of the privilege of life. In this The Museum of Words is a universal story which encompasses all of our frailty and impending demise and encourages all of us to be grateful for the little time we have.
A review of Writing True Stories by Patti Miller
Miller, the “writing whisperer” as Jessica Rowe puts it, has created a vital guide to memoir and other forms of creative nonfiction. Though there are many how-to guides on the market, this one is special, both for its depth of wisdom – Miller has over 26 years of experience in teaching others how to write creative nonfiction, as well as her own experience as a nonfiction author/memoirist – and for the simplicity and practicality of its approach.