Tag: fiction

A review of In Falling Snow by Mary-Rose MacColl

In Falling Snow is a great book with a little bit of everything—history, family drama, romance, lighter moments with Iris and Violet, and even a little bit of mystery. MacColl notes that the telling of the story itself and capturing the spirit of Royaumont and the women who ran in was more important than scrutinizing every historical fact and figure, and I feel she pulled this off very well.

A review of Motherline by Lisa Rosen

Motherline is a bit like a coming-of-age story—Maggie is facing first-time motherhood, saying goodbye to merely being a daughter and granddaughter and now having to face responsibility for another human being, thus continuing the “motherline” of generations of women that had gone before her, while Katharine is still grieving the son that she lost but trying to move forward into her new role as grandmother (and eventual family matriarch) in her own way.

Imagination, Wit, and Madness: The Wapshot Scandal, a novel by John Cheever

John Cheever is a wonderful writer, and his novel The Wapshot Scandal contains observed life and imagined adventure, bringing together ancient rituals and bourgeois affections and habits, private desires and deceptions and public reputations, romance called to reconcile a reality that resists, supernatural suspicions that subvert reason, and mournful, surprisingly poetic interrogations, as Cheever examines family and communal life. The novel does not contain stories that offer easy comfort, though their intimate cruelty and sensual pleasure and melancholy do entertain.

A Review of The Silent Wife By A.S.A. Harrison

The Silent Wife is not a long book—a little over 200 pages—but Harrison manages to fit a gripping tale into those few pages. The story is told almost entirely in present tense, so it gives the reader an almost unsettling feeling of voyeurism—we’re absolutely watching these characters self-destruct in real time. There is some backstory offered as a way to explain how Todd and Jodi were shaped by their families (clearly dysfunctional in Todd’s case; less obvious in Jodi’s).

A review of Blood Secret by Jaye Ford

From start to finish, the writing remains taut and powerful. Ford rarely slows the pace with overt description, but the scene setting is done brilliantly through the eyes of the characters, combined with action.

A review of Bristol House by Beverly Swerling

Bristol House is as unique a literary mystery as one is ever likely to read. Swerling makes some interesting choices with her narrative. At first impression, Annie Kendall strikes the reader as a brilliant, competent researcher whose personal transgressions have cost her, deeply, on a professional level. There are moments in the story where her carefully reconstructed self—the self rebuilt from countless AA meetings and confronting her deepest fears and strongest weaknesses—nearly shatter and the former, scarred Annie threaten to reemerge.

Love and Cruelty and Money: Great Expectations, a novel by Charles Dickens

It is hard to reconcile daily life and profound thought sometimes, but fiction gives us the semblance of both, reconciled. In Great Expectations, we see how shallow hopes give way to mature duties, friendship, love, and wisdom, when the little poor boy Pip gets a benefactor and a trip to London—he assumes Miss Havisham is his benefactor.

A review of Who Is Alice? By Miranda Manning

Thrillers have a hook to grab the reader’s attention and page-turning action which this novel has. More. There are legal intrigues in here where our main characters take on big business and politicians in the courts to fight for the right to have adverse possession, which relate to squatters’ rights. It’s rare to find a story of social work so thoroughly researched yet easily put over. Rare to find an almost chick lit ease of reading with so many female leads but with grit and tension.

A review of Shadow Of Night By Deborah Harkness

Shadow of Night is densely packed—with characters, including some directly from history, like Sir Walter Raleigh, Christopher Marlowe, and Queen Elizabeth I (who is as demanding, straightforward, and liberal as she is portrayed in history books), as well as an ample cast of mystical and mythical creatures, and action sequences, all of which work together to create a complicated, multi-layered plot. At times it does become difficult to keep track of the various characters, but a helpful “Dramatis Personae” in the back of the book makes it a bit easier (as long as you don’t mind flipping back and forth).