The Making of a Poem has consistently excellent poems, worthy of emulation and worth buying for the selections alone. Being able to follow the transition from rough draft to finished poem provides fascinating insight. It’s isn’t some ineffable genius that creates such works, but hard yakka combined with a crucial sense of what does and doesn’t work which only comes with extensive reading and years of practice: the long apprenticeship that the poets featured here have clearly had.
Tag: Australian poetry
A review of The Flowering Dark by Sue Lockwood
There is a lightness of touch here coupled with an assuredly quiet voice that has an expansive quality, equating the intellectual and the botanical, the flowering of ranunculus with human flowering, and the sensual nature of the earth with the rest of the universe. The poems deftly change their perspective through space and time so that all times feel concurrent and all things seem equal, continually in the state of transformation and yet always available.
A review of G-d, Sleep, and Chaos by Alan Fyfe
Despite the profane subjects: dole queues, building sites, and the bottom of coffee cups; Fyfe elevates the ordinary to extraordinary heights with captivating imagery, and a musicality that gently lulls the reader into a meditative trance. In ‘A Song for Saint Roch’ ‘two pristine cigarettes’ are juxtaposed with ‘two (painted) apples’: elevating the former to high art reminiscent of ‘The Plastic Bag Scene’ in the film American Beauty; viewed through a poet’s lens, to seek beauty from the most mundane items.
A review of Barefoot Poetess by Paris Rosemont
Words play across the pages, often moving in non-linear ways and encouraging different breath patterns in the reader. Play is joyful but it can also be a euphemism for abuse, as well as a kind of theatre that reclaims power to the disenfranchised. Some of the poems, most notably the title poem, have a purple quality: the language is elevated and even Shakespearean at times, but against this backdrop of play, the richness works, giving the work a performative and even, at times, fun quality.
A review of The Natural World Somersaults by Shaine Melrose
Melrose has a strong and distinct voice which stands out, with a language that is fresh, with a unique perspective. Her poems often carry multiple layers of meaning. On the surface the poems recount childhood memories and family stories, but deep reading reveals themes of identity, gender issues, sexual politics, and existential questions.
A review of Walking the Boundary by Damen O’Brien
A majority of the poems in Walking the Boundary are award winners, and if you follow these awards, as I do, the poems will be familiar. As the title suggests, these are poems about liminal spaces and edges between worlds, timeframes, states of being, genres, genders, parent and child, and between the human and any number of places, creatures, emotions, or landscapes.
A review of Called To Coddiwomple by Colleen Moyne
The narrative pieces are well defined and give an insight into human nature, which express an attitude towards life, a way of being in the world. Reading Called to Coddiwomple is an immersive experience which impacts on perception and empathy. The reader feels embraced by the author’s experiences, intimate as well as excited by the new life she embarks on.
A review of Earshot by Sam Morley
Sam Morley is a brilliant storyteller, the stories in the poems are written in a language that is dynamic and stylistic as well as entertaining. The work evokes emotions, coupled with strong tension, but not in a heavy way.
A review of Ecliptical By Hazel Smith
Ecliptical is a masterful book, full of smart details that will challenge and stretch the most dedicated of readers, but also dark, playful, often funny and always fun to read. The book is political and engaged with current affairs and events and very serious in the way it confronts violence, loss, inequities, and a wide array of impending ends, but it never takes itself too seriously.
A review of Off Limits by Louise Wakeling
Wakeling writes lines methodically, in a measured way, never letting her words race ahead of her intended message, whether she is writing about underground stormwater pipes, a power station or the underbelly of a secret Sydney. The poet filters ordinary experiences and places through vibrant images and poignant words.The poet brings to the front paradigms of life and the world, sometimes her observations are like theorems others like syllogisms and others like a work of art.