Come the Tide is a sun-soaked, water-drenched, variegated collection of thirteen short stories that explores the ambiguous psychic implications of the now-you-see-it/now-you-don’t liminal terrain where dry land meets restless water.
An interview with Nigel Featherstone
Nigel Featherstone is an Australian writer who has been published widely. His works include the story collection Joy (2000), his debut novel Remnants (2005), and The Beach Volcano (2014), which is the third in a series of novellas. He wrote the libretto for The Weight of Light, a contemporary song cycle that had its world premiere in 2018. He has held residencies at Varuna (Blue Mountains), Bundanon (Shoalhaven River), and UNSW Canberra at the Australian Defence Force Academy. In this detailed and wide-ranging interview, Nigel talks about his new book Bodies of Men.
A review of Take Three Girls by Simmone Howell, Cath Crowley, and Fiona Wood
This novel is an enjoyable, feel-good read which is easy to settle into from the very beginning. A strong stand-alone novel which I would highly recommend, particularly to young females aged 13-18. Take Three Girls is written with the perfect expression of teenage girls trying to make it through high school, figure out who they are and what the world has in store for them.
A review of Hive by A J Betts
The world created in Hive is one run by, like any dystopian – an undesirable or corrupt government, the judge and her son who know the many secrets and mysteries of the real world which is hidden from the rest of the population. Everyone has a role, ranging from gardeners (which Hayley is a part of), engineers, doctors, kitchners, netters and many more.
An interview with Dr. Mary Langer Thompson
An award-winning California poet, writer, and public school principal, Dr. Mary Langer Thompson was born in Illinois. She is active in the California Writer’s Club, High Desert Branch, and was California’s Senior Poet Laureate. She has given poetry and writing workshops and has authored poetry, nonfiction, and fiction and is the author of The Gull Who Thought He Was Dull, released by AnotherThinkComing Press in 2018.
A review of The Rip By Mark Brandi
Brandi’s prose is consistently beautiful, and the story itself remains compelling and fast paced. The rip metaphor is repeated like a refrain throughout the book, and creates a strong connection between the reader and the protagonist. The Rip is an intense, important read, shining a light on an area that has not been the subject of much art, and encouraging deep empathy, understanding and engagement.
A review of Play With Knives: Five by Jennifer Maiden
There is also an inherent indeterminacy or multiplicity in the way the story unfolds, so that it is both a domestic story, with sumptuously described meals, personal care/tenderness, tea taking, and small acts of kindness that include buying teddies and dolls and supportive talk between friends, as well as being a story of international espionage involving great acts of big evil: arms dealing, drug dealing, government complicity, murder, and looming war.
A review of Agents of the Nevermind by Tantra Bensko
The books really triumph, though, in creating a counter-history which fuses the technocratic mastery of the Nevermind agents with a tradition of anti-rationalism, spiritualism and exoticism that runs through the project of western modernity, a swampy seam of conspiracy theories, UFOs, Spiritualism, Theosophy, and pseudo-science.
An Interview with Ryan Masters
Ryan Masters is a writer and poet from Santa Cruz, CA. He spent a decade on staff at the Santa Cruz Sentinel and The Monterey County Weekly. He is a frequent contributor to The Surfer’s Journal and former poet-in-residence for the City of Pacific Grove, CA. The author of a chapbook, below the low-water mark, his work has also appeared in publications such as The Iowa Review, Catamaran Literary Reader and Unlikely Stories. Above an Abyss: Two Novellas (Radial Books, 2018) is his first collection of fiction.
A review of Broken Lines: The Art & Craft of Poetry by Judith Skillman
The author’s “personal take” is entirely approachable. Her style is conversational, colloquial, and elegant in the sense that the writing is easily understandable because the ideas and suggestions are stated clearly, logically, concisely with good sense and no clutter.