Robert Erlandson is professor emeritus of Engineering who has authored and edited a variety of technical papers, reports and books. He has maintained a journal of poetry and painted for over fifty years. Currently, he draws, paints, creates digital images and writes for the joy of expression. He joins us to talk about his latest book, Awe, a chapbook of images and poetry.
A review of Ebullience & Other Poems by Bhupender K Bhardwaj
If you are looking for a farrago of old-school romanticism, Neoplatonism, Whitmanian excess, and Hindu plenitude, you have come to the right place. There just aren’t enough descriptors in the lexicon to do justice to Bhupender Bhardwaj’s Ebullience & Other Poems.
A review White Horses by Linda Blaskey
Horses also showcases Blaskey’s eye and ear for nature poetry. The collection bounces back and forth across the country to the Ozarks to the midwest to the Delaware coast. But Blaskey is most at home in rural settings where “a combine sits idle in a half-harvested soybean field” or where “ grasshoppers stirred up from weeds leap onto your legs and arms.”
Stranger, Friend, Artist, and Literary Legacy: James Baldwin and His Interpreters
I, as a reader and writer, as well as a citizen interested in social progress, was impressed, almost always, by Baldwin’s determination to bring eloquence, compassion, and wisdom to the hostilities and hopes he perceived, beyond the controversies of lasting conflicts—but I noted, as did others, that, with time’s passage, his disappointments inspired him to a brutal bluntness that could be read as bitterness.
An interview with Julie Keys
Julie Keys lives in the Illawarra region on the NSW south coast. Her short stories have been published across a range of Australian journals. Julie has worked as a tutor, a registered nurse, a youth worker and as a clinical trials coordinator. She is now studying a PhD in creative arts at the University of Wollongong and writing full-time. Her debut novel, The Artist’s Portrait, was shortlisted for The Richell Prize for Emerging Writers in 2017.
A review of Stopgap Grace by Neil McCarthy
The poems are dense, lusty in the old sense of the word—in their intentness on the uniqueness of each contemplated experience. McCarthy’s metaphors are fresh and lovely; line-by-line, the writing is often astonishingly beautiful.
A review of We Will Tell You Otherwise by Beth Mayer
All the story titles involve some form of the verb, “to tell”, because the collection as a whole is about the things people tell themselves and others. Some characters tell themselves the truth and live authentically; others do not. In “But I Will Tell You Otherwise,” Janie and Cha Cha defy social mores and pressures and think for themselves.
An interview with T. I. Lowe
Tonya “T.I.” Lowe is a native of coastal South Carolina. She attended Coastal Carolina University and the University of Tennessee at Chattanooga, where she majored in Psychology but excelled in Creative Writing. In 2014, Tonya independently published her first novel, Lulu’s Café, which quickly became a bestseller. Now the author of 12 published novels with hundreds of thousands of copies sold, she knows she’s just getting started and has many more stories to tell. She resides near Myrtle Beach with her family and is here to talk about her new book and lots more.
A review of What Stella Sees by Sarah Kornfeld
Sarah Kornfeld’s writing is frequently surprising and audacious, with passages of sustained concentration. She is unafraid to report how people feel when they do not know it themselves; occasionally, she hints at a future with which they cannot possibly be acquainted. This is all excellent stuff, unabashed to ‘digress’ or to break rules that are there to be broken.
A review of Eager to Break by Eliana Gray
Eliana Gray’s latest poetry collection, Eager to Break, is assured, quiet, charming, and intense all at the same time. The work engages directly and openly with inherently distressing themes like sexual violence, mental illness, fear, PTSD and its many manifestations and loss, but always, and perhaps uniquely, with a muted joy – as if the opportunity to play with words this way, against such pain, were a gift.