Mothering machines: Sasha Stiles’ Technelegy

Whispers are words made gentler and Stiles whispers to her readers throughout Technelegy. As importantly, in Promethean fashion, her whispers are giving life to a new existence. Technelegy is the name of Stiles’ AI alter-ego. Built using a text generator called GPT-3, it draws on existing texts, borrows grammatical structures and vocabulary, and creates anew.

A review of Body Shell Girl by Rose Hunter

Told in vivid verse form, she recounts her reluctant initiation into the sex industry in Toronto, in response to her stark economic circumstance – always a means to an end – through the collapse of her dreams of film school and a career in filmmaking, her hardening into “the life,” to her resignation that sex work is all her life will ever amount to. 

A review of Revenants by Adam Aitken

Anyone who has read Adam Aitken’s wonderful memoir One Hundred Letters from Home will be familiar with Aitken’s particular style that encompasses artefact, the living and the dead, dream and waking, memory and loss. Aitken’s latest collection Revenants, picks up on many of those themes from One Hundred Letters Home, as well as the revisiting the setting and timeframes of Aitken’s memoir: his father travelling in the 1950s, writing letters to his mother from Singapore, or moving through Hong Kong, Malaysia, and Thailand, weaving an absence in and out of the poems.

A review of The Strategic Poet edited by Diane Lockward

Aside from the illuminating value of the poetry, these modern poems are a pleasure to read. While specifically published as a teaching tool for writers of poetry, anyone who appreciates contemporary poetry should find The Strategic Poet to be a valuable addition to a personal library. On top of everything else, it’s both a challenging and a fun book to study with, filled with insight, imagination, rewarding tasks, and exceptionally fine writing.  

A review of A Little Bird by Wendy James

The stories told through these columns crosses over the other two stories until the three stories line up, weaving together like a helix, linking Jo with her mother in a way that is slightly mystical.  Jo’s own reintegration into Arthurville is managed with just the right blend of nostalgia and irony, Jo’s intelligence providing a lens that is both loving and critical, allowing the town’s homey beauty and its decline to come through her perception.