Pretend I Don’t Exist is a delight to read – the kind of book a parent can have a lot of fun reading to a child (or vice versa) but also one that tells a serious and important story about the beauty of animal sentience, the rich interplay of the human and the natural, animate world, and perhaps most importantly, the precariousness of the latter, particularly when it comes to koalas who are increasingly vulnerability, facing a significant and rapidly increasing loss of habitat.
A review of Off Limits by Louise Wakeling
Wakeling writes lines methodically, in a measured way, never letting her words race ahead of her intended message, whether she is writing about underground stormwater pipes, a power station or the underbelly of a secret Sydney. The poet filters ordinary experiences and places through vibrant images and poignant words.The poet brings to the front paradigms of life and the world, sometimes her observations are like theorems others like syllogisms and others like a work of art.
Tree Stumps Adorn Their Graves: A Conversation with Author Javier Sinay and Translator Robert Croll about The Murders of Moisés Ville
In The Murders of Moisés Ville, award-winning journalist Javier Sinay investigates a series of murders from the late nineteenth century, unearthing the complex history and legacy of Moisés Ville, the “Jerusalem of South America,” and his personal family connection to a little-known period of Jewish history in Argentina, linked to his great-grandfather Mijl Hacohen Sinay.
A review of Count Four: Poems by Keith Kopka
These speakers, Kopka’s tellers – their attitudes – interest me more than anything else. They seem to hurt, as if they live as emotionally bruised, successful failures whose memories of fathers and mothers, family, course the past coming in on the writer’s desire to tell all – and more – to live to play music so close to grieving, I want to wince then sigh for the horrific plight joy brings alive on the planet.
A review of Greedy Cow by Fiona Sinclair
The collection opens with Sinclair’s humorous experiences with internet dating, from the pervy responses to her profile picture to flirting with emoticons; “over the week I virtual two time / men from Rochester and Deal.” Soon enough, though, she begins a relationship with a man – “our steps synchronize like Fred and Ginger” – and over time they adjust to one another.
A review of Shaky Town by Lou Mathews
In Shaky Town, Mathews expertly shows us how things work and why they break down, taking apart and putting back together a range of small, yet fully felt lives. His overlapping worlds are mapped in prose that shimmers like hammered copper. He knows this territory well: you don’t doubt that when a certain bug shrinks the leaves of a eugenia hedge, more of a morose neighbor’s sad guitar music will bleed through.
A review of A Critical Inquiry: Text, Context and Perspectives by Sutanuka Ghosh Roy
The section Indian English Poetry is quite daring in its inclusion of all modern age poets like, Adil Jussawalla, Sanjeev Sethi, Meena Kandasamy and Vihang A. Naik. Mostly, she looks for a hint of a world other than the real, mundane workaday world in the creations of these poets.
An interview with Tessa Wegert
The author of Dead Wind talks about her latest book, her protagonist Senior Investigator Shana Merchant, on writing a crime series, the Thousand Islands setting of the series, the attraction of putting a contemporary spin on classic, Agatha Christie-style detective fiction, PTSD, and more.
A review of Baltimore Sons by Dean Bartoli Smith
For Baltimore has faded from its glory days, whenever those were. Some might say it was the nineteenth century, when Francis Scott Key and Edgar Allan Poe roamed the streets and major political parties held their nominating conventions in Baltimore. Smith’s nostalgia is for the sports heyday of the 1960’s when Unitas and the Colts ruled football and the Orioles were always in contention, and the NBA Bullets hadn’t yet left town for Washington.
Paltry Arguments Lead to Ugly Consequences:A review of The Proud & the Dumb by Bob Freville
To sum it all up, The Proud and the Dumb is a fast-paced and funny political horror story that plays well with genre tropes while presenting its “monsters” with a opportunity for redemption. It is part dark comedy and part battle cry for reform. This short but sweet tale shines a light on the issues facing society today in a wholly entertaining yet less than fleshed out way. It seems to offer a brilliant but kind of stilted suggestion for how we might change course.