Most essays take a vivid and telling image as their point of departure, but then range more widely. On the whole, the essays are provocative and richly suggestive, rather than exhaustive; and it is unlikely anyway, to my way of understanding, that the meanings and resonances inherent in a symbol can ever be fully enumerated. That is why they remain vital as symbols, able to intrigue, fascinate and transport.
A review of The Fate of Pryde by Mary Martin
Certainly the mystery that surrounds and motivates Jonathan Pryde and the poor ‘lost souls’ that inhabit his castle, drives the story rapidly towards its conclusion, but this is more than simply a story of suspense. The novel touches on some serious thematics such as the relationship between art and life, on both ethics and philosophical responsibility, and ultimately, on how we create meaning in our lives.
A review of The Confessions of Becky Sharp by David James
David James does a fabulous job of bringing Becky Sharp’s story to life. She is both absolutely detestable and endearing all in the same. He pulls you into her tumultuous and humorous past. This heartbreaking past also gives insight into what has led this woman into such a selfish and irresponsible lifestyle.
A review of Capablanca by Edward Winter
We follow his chess career from prodigy to young pretender to world champion; and even though the loss to Alekhine took the wind out of his sails for a bit, renewal and revitalisation followed soon after. He continued to show his calibre at Carlsbad 1929, Moscow 1936, Nottingham 1936 and elsewhere.
A review of The Honourable Schoolboy by John le Carre
Let me come clean and admit that I didn’t quite follow the plot; indeed, in places I found it quite perplexing. But I read on because I was held by le Carre’s world, precarious and peril-ridden. He writes at one point that ‘silence, not gunfire, was the natural element of the approaching enemy’ and he uses this element too.
A review of Prayers waiting for God by David Barnes
The blurb on the back says it all: “This is David Barnes’ first and last book.” That David ever came to be a poet is a kind of miracle in itself. He’s an unlikely candidate. A ward of the state, placed in institutions and physically and sexually abused – there was little likelihood that he would become a functioning adult, let alone a loving one who could have a happy relationship, a much-loved son a self-deprecating sense of humour – or a writing career.
A reviw of Spirit Junkie: A Radical Road to Self-Love and Miracles by Gabrielle Bernstein
In our busy world where achivement and ticking boxes seems to take priority over everything else, the message is a critically important one, however it’s delivered. Call it “ego”, or fear, or self-sabotage, and talk about God, spirit, ‘-ing’, or simply our own inner, innate capabilities. It doesn’t matter. What does matter is that Bernstein’s book is powerful and effective, infused with extraordinary energy and passion.
A review of Sculpting the Heart: Surviving Depression with Art Therapy by Joyce White
The book is an encouragement to risk, go deep, and try new ideas. Practising what she preaches, White opens up about her own struggles with depression, divorce, and health problems. Despite the honesty that underlies the book, White is never dour, using herself as an example, and asserting the unique voice that every person has.
Memory, Time Travel, Terrorism, Romance, and Gyllenhaal: Source Code
Will the film seem visionary or shallow to people alive in the future? It is perfectly entertaining to me, and there are aspects of it that are provocative. How much responsibility does one want to take for others? Is it possible to stop unpredictable and uncontrollable disturbed individuals who intend to do things that put the mass public at stake?
The Abundant Spirit of a Poor Girl: Winter’s Bone
What intelligence or strength exists in such persons and lives can feel like the grace of divinity, though it is really a sharpened survival instinct that refuses to die, that insists that it will do everything before it gives in—that, in fact, it will never give in but must be destroyed by greater and more relentless forces. In the film, the young woman, Ree, not yet eighteen, visits the friends and relatives of her father, asking questions, looking for clues.