The idea of a voyage as a way to truth, freedom and happiness is present throughout the novel. Glass, too, lends itself to metaphor, with Clotilde’s delicacy and the fragility of the marriage being just two examples. The dark underworld of Whitby echoes and reinforces the characters’ hidden emotions. Descriptions of craftsmen’s workshops, scientific curiosities, and street life let readers glimpse the lives and preoccupations of some Victorians.
A review of Don’t Let the Wind Catch You by Aaron Lazar
The warmth between the characters, the families, and the characters they meet is obvious in this tight-knit community, with the mystery unfolding gently. The book doesn’t shy from real issues, including homophobia, historical lies, murder, betrayal, and massacre, everything unfolds so gently, and with such good humour, that reading the book is an absolute joy. Despite the serious issues that the book addresses, this is as suitable for a young adult reader as for an adult, and will appeal to wide audience. It’s clear that Lazar has come to know and love his characters and every time he revisits them, he brings out new nuances and depths, so that returning to a Gus Lazar mystery is like meeting an old friend once again.
Interview with Sarah Weinman
The author of Troubled Daughters, Twisted Wives talks about the inspiration for her new anthology, the genre of “domestic suspense” and its relationship to other kinds of crime fiction, the author in her collection she would like to see gain more credit, her early influences, on gender and genre, the influence of war on fiction, and lots more.
A review of Troubled Daughters, Twisted Wives by Sarah Weinman
The launch of Ellery Queen’s Mystery Magazine in 1941 was a break-through for women writers in that the editors published not only hardboiled and noir detective fiction, which was mostly written by men, but also domestic crime and suspense stories, at which women excelled. Weinman’s authors won “Edgar” nominations from the Mystery Writers of America, founded in 1945. Some of them wrote best-sellers, including novels that became motion pictures (such as Vera Caspary’s Laura). In Weinman’s view, these authors are no longer remembered, unlike some male writers like Dasheill Hammett and Ross Macdonald, because their domestic subject matter has not been taken seriously.
A review of Inspiring IVF Stories: 24 Men And Women With Strength, Commitment And A Dream edited by Carolyn Martinez
The stories are honest and open, going into a great deal of detail about exactly what the couples had been through – both in terms of their own experience, and in terms of each other. The stories are well-balanced and broad, exploring a wide range of stories from younger couples to older ones, a single parent, parents who struggle with the finances, parents who found IVF reasonably straightforward, and those who continue to struggle with unsatisfying outcomes.
A review of Cast in Sorrow by Michelle Sagara
In parting, Cast in Sorrow was an excellent book which will unarguably make up for the upset a lot of people felt with Cast in Peril; several key plot threads are covered, we are introduced to amazing new characters and the story is just great. As usual with “The Chronicles of Elantra”, as soon as I finish a new book, I can’t wait for the next.
A review of Crescendo by Deborah Ledford
Since I read the first book in the series, Staccato, I’ve loved the character Inola, a Native American cop who’s constantly having to prove herself to her police department colleagues in the relatively backwoods town of the Bryson City, North Carolina. In spite of her stubborn nature, her inability to communicate with those she truly loves (Steven and her grandmother, Elisi), and her insistence on going out on her own despite obvious dangers that threaten – you can’t help but love her.
A review of Greenwood Tree by B. Lloyd
One of the attractive features of the novel is the use of old style font for some of the 1780s passages, and the illustrations in silhouette, popular in the 18th century. The novel is smoothly written, the 1920s slang authentic-sounding.
A review of Maddaddam by Margaret Atwood
The world of Maddaddam is harsh and often ugly world – particularly the Painballers – a group of criminals who have survived their Hunger Games style imprisonment a number of times and have lost their ‘humanity’ in the process. However, in spite of some pretty gruesome episodes, ultimately the story is a redemptive and satisfying one. The Craker’s naivety is charming, and beyond Toby and Zeb, the characters are delightfully Dickenesque – turning to fizz, flirting in scientific jargon, and cooking up a storm with weeds and lab-grown splices.
A review of Secret Storms by Julie Mannix von Zerneck and Kathy Hatfield
Every story of adoption and reunion is different, and these two women have provided a book for both the general reader and those who are involved with the adoption triad (adoptive parents, birth parents, adoptees). It gives some insight into the issues that are involved with relinquishing and being relinquished, and most importantly, what a birth mother will go through when she does not want to give up her child.