An interview with Beau Riffenburgh

The author of Pinkerton’s Great Detective: The Amazing Life and Times of James McParland talks about the subject of his new book, about the research required for the book, about one of McParland’s most interesting cases, his extensive research, some of the surprises he found along the way, the inspiration for his biography, and lots more.

A review of Vengeance is Now by Scott D. Roberts

As a reviewer, books show up in my letterbox and I know I must read them soon to turn them around in a reasonable time frame. Occasionally it’s a chore. Vengeance is Now arrived in my letter box on a Friday. I picked it up after work. On Saturday morning I opened it, intending to read the first chapter to see what I’d be in for. By Sunday morning I’d finished reading the whole book. It’s one of ‘those’ – those rare books that you can’t put down until you get all the way to the end.

A review of Hold Still by Cherry Smyth

It would be a shame if readers overlook this vivid, sensuous novel because of the plain cover and cryptic title. Written in the third person, it reveals the heart and mind of a girl in her late teens who blossoms in the art world. Irish-born, London-based Cherry Smyth, the author, is uniquely qualified to write such a novel, being an art critic, curator, poet and creative writing professor.

Books Set in the South: Charlaine Harris’s Dead and Gone; James Wilcox’s Heavenly Days; and Tim Gautreaux’s The Next Step in the Dance

This is a genuine novel—it allows the writer to introduce us to people we would not know otherwise, and we see them struggle for love and forgiveness, for money and stability. The writer creates a vision of community that is both redemptive and convincing (I must say, it brought tears to my eyes several times: but thinking of it now, I am a bit wary of that effect). Rather than a comedy of remarriage, it is a drama of remarriage, showing the tests people must go through to know, accept, and love each other.

A review of In Falling Snow by Mary-Rose MacColl

In Falling Snow is a great book with a little bit of everything—history, family drama, romance, lighter moments with Iris and Violet, and even a little bit of mystery. MacColl notes that the telling of the story itself and capturing the spirit of Royaumont and the women who ran in was more important than scrutinizing every historical fact and figure, and I feel she pulled this off very well.

A review of Motherline by Lisa Rosen

Motherline is a bit like a coming-of-age story—Maggie is facing first-time motherhood, saying goodbye to merely being a daughter and granddaughter and now having to face responsibility for another human being, thus continuing the “motherline” of generations of women that had gone before her, while Katharine is still grieving the son that she lost but trying to move forward into her new role as grandmother (and eventual family matriarch) in her own way.

Imagination, Wit, and Madness: The Wapshot Scandal, a novel by John Cheever

John Cheever is a wonderful writer, and his novel The Wapshot Scandal contains observed life and imagined adventure, bringing together ancient rituals and bourgeois affections and habits, private desires and deceptions and public reputations, romance called to reconcile a reality that resists, supernatural suspicions that subvert reason, and mournful, surprisingly poetic interrogations, as Cheever examines family and communal life. The novel does not contain stories that offer easy comfort, though their intimate cruelty and sensual pleasure and melancholy do entertain.

A review of Cry Blue Murder by Kim Kane and Marion Roberts

Unique in its telling, the story unfolds as a series of legal documents, police interviews and statements, pathology reports and the e-mail correspondence between the two Year 9 private school students. From within these Police investigation reports and statements, clues are unlocked and our suspicions focus upon a particular suspect who is a member of the school community.

The Price of Isolation: George Eliot’s Silas Marner

It is a remarkable portrait of social misunderstanding, one that is so clear it illuminates current, similar but subtler suspicion of odd individuals in our own world. The money that Marner makes becomes important to him—obvious reward for his work. He is transformed by his isolation, his work, his money, his (often inhuman or at least unsocial) concerns: achieving independence but a spiritual withering.