A review of The Restorer by Michael Sala

Maryanne’s own sense of self in relation to her overbearing mother and Freya’s sense of self in relation to Maryanne are handled with such richness that they give the story a great deal of depth, even as it pushes towards its inevitable outcome. The Restorer is a beautifully written and very powerful fiction that not only shines a light on the deep roots of domestic violence but also plays with the line of what remains in the face of such destruction. Sala’s story that will stay with the reader long after the book is finished.

An interview with Barnaby Hazen

The author of Misfortunes of T-Funk talks about the inspiration for his story, the relationship between real-life and fiction, how he came up with incorporating music, the genres and artists that influence the music in his book, the fascinations of music, his periodical Seven Eleven Stories, what’s coming next, and more.

Corrections: An Internet Interview with Jack Hamilton, author of Just Around Midnight: Rock and Roll and the Racial Imagination

Sam Cooke and Bob Dylan are compared by Hamilton for their musical roots and affiliation with particular communities and subsequent independence and experimentations with genre and form, though Dylan’s work has received much more critical exploration and celebration, suggesting, among other things, a misunderstanding of the choices—aesthetic, intellectual, spiritual, and political—that are made by African-American artists, who want both creativity and commerce, glamour and grit, imagination and intellect, and whose works affirm both style and substance.

Interview with Allison Pitinii Davis

The author of Line Study of a Motel Clerk talks about her book, narratives and counter-narratives, the nature of poetry and confrontation, the interaction between language and the person sensing it, the relationship between the living and the dead and a lot more.

A review of Line Study of a Motel Clerk by Allison Pitinii Davis

Art, in this messy overlayering, produces “some kind of complicated, collective accuracy.” Like the best works, Line Study gives a sense of speaking to the present as if to the future. “Because the ones who wrote today’s edition,” as Davis writes in the titular and final poem, “have already written tomorrow’s.” Should we all be so lucky to actually hear Tiresias speak.

A review of Porch Light by Ivy Ireland

In the opening line, Ireland poses a question about the relationship between the individual, and a theory of everything: “If you consulted your own cipher mind (if what presents as yours could be compressed in such a lazy line), would it encircle this whole ball of string/theory/or only what lies beneath?” In the world of Porch Light, the answer is yes.

A review of The Golden Child by Wendy James

The plot moves fast, the narrative driving the reading towards its final unnerving twist. It all happens almost too quickly. James’ writing is so smooth, and the story so powerfully plotted, that its easy to miss how neatly the shifts are between the individual voices, the many delicate links between cause and effect and the parallels between adults and children as we move from one character to another, the way the reader is unwittingly drawn into the toxic culture of privilege that underpins these characters, or how subtle the thematics.