In nearly all of the poems, the subject and object perform a dance where roles are reversed, aligned, torn, and reconfigured, always with a kind of skewed nourishment, as in “Strangled Collision” where the bread is the love object, imbibed and absorbed like wine and grains of rice, crushed down in a Strangler Fig embrace.
Category: Poetry Reviews
A review of The Tao of Walt Whitman by Connie Shaw and Ike Allen
he week by week guide allows the reader to follow in the steps of the author with a daily look at some new topic or experience. The poetry selected by the author helps to build an appreciation of the many ideas considered by Walt Whitman, looking at snippets from his overall work may allow poets to appreciate how thoughtful he was and seek to follow in his steps.
A review of Sublime Planet by Magdalena Ball and Carolyn Howard-Johnson
Sublime Planet includes a section called Sacred Lessons, Poems by Carolyn Howard-Johnson and one called Tipping Point with poems by Magdalena Ball. Two very different poets, very different styles of writing, have produced a collection united by their passion for environment, for the world that touches their skin and imbues them with its presence with every breath they take. This collection is their tribute to their world, both physical and mental; our world.
A review of Liquid Nitrogen by Jennifer Maiden
Though the description of the Nebula alone is worth the price of the book, this building up of smaller things into something larger, powerful, transformative, is exactly what Liquid Nitrogen does, taking the many cultural, political and literary characters and references, in order to create something large, complex, woven on a “spinning jenny.”
A review of Designs on the Body by Lyn Reeves
The senses are not only invoked, but mingled in such a way that the metaphors combine and grow, illuminating each moment presented in a full body experience. By the end of this book the reader feels drained, enlivened, wiser somehow, as if a full live had been lived between its pages.
A review of Poetry Kanto 2010
It seems that traditional Japanese poetic genres such as haiku, tanka, haiga and haibun bear much in common with present-day global modes. Brevity and imagist impressions of nature are universal and don’t date. When I first looked at this book I thought “Why put all these modern western poets in a Japanese collection?” But on reflection I think that good poetry is universal.
A review of On the Road to Infinity by Mark Logie
The thirteen poems in this chapbook cover a range of themes, working between personal turmoil and political issues. The book works between a number of dichotomies: sickness and health, sanity and insanity, youth and age, city and wilderness.
Two Men In Love (I Didn’t Know You Were That Black): Rahsaan Patterson’s music album Wines & Spirits; and Jericho Brown’s poetry book Please
What separates human accomplishment and failure? In the slinky, seductive “No Danger,” using rhythm as a sign or symbol of desire, Rahsaan Patterson describes love as protection against the cruelty of indifference; but in the song that follows, with a theme of unhappiness, “Pitch Black,” a cross of rock and funk, featuring Patterson’s low voice, a fat slow beat, and guitar feedback, there are “pitch black panic attacks.”
A review of First Light by Kate Fagan
The grammatical syntax is also inflected, though not enough to lose the coherency. Instead, the conjunction of familiarity and distortion provides a cognitive dissonance that, mingled with the lovely imagery, is simultaneously pleasing and intellectually tricky.
A review of Life on Mars by Tracy K Smith
At the heart of Smith’s everyday experience is an expansiveness that calls to mind the universal. Life on Mars is an extraordinary collection that will no doubt draw new readers, intrigued by what poetry is able to achieve. Life on Mars’ rich tapestry traverses a broad spectrum of modern experience, linking pop-culture to science and the geography of human pain, forgiveness and transcendence.