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The author of Nancy Business talks about the premise of his new book and where the idea came from, on being adopted into the Crime genre community, his twelve year old narrator, his New Zealand setting, books he’s recently read and loved, and more.
Chimera says a lot in so few pages, Skelton makes the reader enter moments, fragments of time, the land, life: imagined and real. In this book Skelton once more has demonstrated her skills as a writer.
Just as her previous collaboration with Peter Bruun, Innumerable Moons, deals with love, loss and grief in later life, so too does Clarinda Harriss’ new collection, Ash Wedding, amounts to an extended elegy for Harriss’ friend, Steve Davitt, whom she’d known for more than three decades and with whom she spent the final two years of his life. Davitt suffered a massive heart attack while walking their dog on the streets of Baltimore in April of that already devastating year, 2020. The dominant theme in these poems is grief, raw, unassuageable grief.
Slivers of Kirk’s sometimes funny, sometimes traumatic personal history overlap and complement and reflect one another throughout the book. He spends a good part of the book searching in Transylvania for a lost manuscript, purportedly the work of none other than the great Béla Bartók, and spends another large chunk of it organizing strange activities on the deck of a cruise ship navigating some of the world’s remotest waters. Interwoven with these threads are passages in which Kirk frets over his seriously ill father, who, in one video call, strikes him as looking, in Kirk’s words, about a million years old.
Reading through You Don’t Have to Go to Mars for Love, I experienced a litany of emotion that found me racking through memories, hopes, and losses. The work is astoundingly raw and explorative. Harvey dances between forms and visual presentation with the precision and coherency of a professor, the care of a mother, and the creative wield of a comic book artist.
The author of A Cage Full of Monkeys talks about his new book, the word “Saudade” and the role it plays in his life, his early sexual experiences, memory imagined and reconfigured, his literary references, why he wrote the book, and lots more.
As with all of Blackford’s work, Fil and Harry manages the perfect balance between fast moving suspense, engaging characterisation, and gentle accessible humour. The work is never too sweet nor too dark, and the tone works for all ages, including adults, who will find Fil and Harry a surprisingly pleasurable read, whether read alone or aloud to a willing young listener (something I highly recommend!).
Fog and Light: San Francisco through the Eyes of the Poets Who Live Here is a real smorgasbord of San Franciscan scenery, energy and art. Harvey Milk, Castro Street, the San Francisco Symphony, San Francisco Giants Stadium and Candlestick Park – Orlando Cepeda and Willie Mays! – all appear in these pages. It’s been almost fifty years since I was in San Francisco, but it all comes back vividly in these poems.
I reveled in this book because, unlike others before it, it is not fragmented, incongruent, or just a compilation of interesting facts. But rather, it reads as though Thoreau lived much more recently and the author had interviewed in-person, first-hand witnesses to his life simply because it flows from birth to death without a sense of missing information or lapses in time. On any given page you may learn about the weather that day or how late Thoreau stayed up as if it were all recorded and timestamped on videotape for the author to view and re-view.