Oddly, or perhaps not, Nasser Rabah’s spirituality makes me think of Leonard Cohen. Maybe it’s those Zen-like questions (“Why do the details of things cough at night?” he asks in “Background Music for Life”). Or maybe it’s his vision of himself: “I am the prophet who lost his prophecy,” he writes in “Prophet of the Lost Way,” and later in the poem writes, “Die a little, and give me my first kiss: a star / to lean on and herd my pain with.”
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A review of Divorce Towers by Ellen Meister
Toss in an attention-averse internet celeb, a shy New Englander fleeing an abusive spouse, the theft of a bejeweled faux Fabergé egg, an enigmatic dominatrix, and a gaggle of superannuated, hilariously rapacious divorcees, and you have a combustible mix. Divorce Towers is classic Ellen Meister — fast-paced, breezy, and funny AF.If you’ve liked Meister’s other offerings, you will surely love this one.
A review of Alive: Our Bodies and the Richness and Brevity of Existence by Gabriel Weston
Alive takes us on a tour of the body by chapter, from bones to lungs to kidney to womb. Weston works hard to turn an anatomy tutorial into a story – or perhaps infuse a story with a bit of a tutorial. Each section provides a scientific and historical overview of the organ in question, a personal narrative of a patient, and often a journey into the role of the treating physician.
Poems as Reliquaries: Diane Seuss, Modern Poetry and Contemporary Faith
The origins of Seuss’ work, as she reminds us repeatedly in Modern Poetry, are unpretentious. Her literary intellect has been assembled piecemeal from disparate elements, some Colette and Conrad here, a little Baudelaire and Morrison there. More importantly, her poetic prowess has evolved from a lifetime in lowdown trenches.
A Review of The Strings Are Lightning And Hold You In by Chee Brossy
The Strings Are Lightning And Hold You In, is a poetry collection that transcends time and history, weaving stories of tradition with the unfolding events of the present, connecting the wild with the domestic, and masterfully interlocking the spiritual with the tangible. In this collection, words become a conduit for much more than a story and yet are almost too little to contain its incandescent quality.
New giveaway
We have a copy of Grit & Grace: The Transformation of a Ship & a Soul by Deborah Rudell to give away!
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An interview with Stephen Saletan
The Author of To the Midnight Sun: A Story of Revolution, Exile and Return talks about his new memoir and the processes around writing it, how he found the time, on finding his literary voice, about the character of his grandmother, identity, revolution, and lots more.
A review of Identified Flying Objects by Michael Bartholomew-Biggs
While they can be termed as confessional, there’re no calculated calls for pity or sympathy in them, (unlike quite a few contemporary poems). Rather, most poems look at the broader socio-historic picture and compute personal reflections with a sense of objectivity where possible.
A review of In Silver Majesty by Donna Faulkner
Skeletons, dusty books and stale bodies exist seamlessly alongside a newborn swimming in safe waters, and the bending of dandelions that don’t break. All imprinted firmly in Faulkner’s words, they peel back the cover on her own aches and elations about this experience of being human.
A review of Love Prodigal by Traci Brimhall
As is evident in her line about her mother telling her through her tears that she loves what her daughter’s done with her hair, Brimhall has a delightfully sly sense of humor. It’s on display in poems like “Admissions Essay” (“I could have been valedictorian if the metrics / were ardor and potential for transformation”), “Ode to Oxytocin at a Distance,” “I Would Do Anything for Love but I Won’t” (“cook lobster.