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A review of City of Glass by Paul Auster

There is a play on names that runs through this book like a fugue. The putative writer of the book Paul Auster will prove to be another, a writer whose name is not given. Peter is the name of Quinn’s…

A review of A Gun for Sale by Graham Greene

The prose has a deliberate hard-boiled rhythm (the novel’s opening sentences – “Murder didn’t mean much to Raven. It was just a new job. You had to be careful…” – illustrates this as well as anything) and the suspense is…

A review of You Are Going Away edited by Matthew Ward

Most of the stories, and particularly the three winners, have all of those qualities: are tightly structured with a conflict that pulls the reader in and drives the narrative forward, leading carefully and conclusively towards the ending. Interestingly, a large…

A review of Fruit’s Burn

The style is, at times, reminiscent of kd lang’s, with its deep moody smoothness and wide range, especially on the torchier songs like “Burn“ or “Jennifer Says.” The voices move up and down the chromatic scale, toughening down low into…

Interview with Emily Raboteau

The author of The Professor’s Daughter talks about her first novel and its main character, the value of her MFA, the musical and literary sources of her inspiration, her uses of layers of direct and indirect storytelling, what she learned from writing The Professor’s Daughter, her next book, and lots more.