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The author of The Last Lion of Karkov talks about his new book, his characters and the process of creating feisty female protagonists, his inspiration and why he’s donating his sales to Girls, Inc, his new work-in-progress and lots more.
A talented oral historian, Molina describes how her grandmother, Doña Natalia Barraza, found a place in Echo Park, a diverse neighborhood located on the eastside of Los Angeles, to open her restaurant, The Nayarit. The Nayarit, of course, is also one of the states comprising the federated nation of Mexico and the regional cuisine local to the Nayarit was the driving force of the restaurant’s menu and eventual draw.
An old literature professor I once had used to say, regarding the writing of poetry, “Don’t use the I”, “Don’t talk about feelings”, “Don’t be personal”, “Don’t use dialogue in poetry”. In I Have Decided to Remain Vertical Carbis breaks every rule, and the result is magnificent.
His worlds are full of anomalies that draw on real-life quantum quirks, cosmic paradoxes and biological anomalies, and his aliens are both delightfully bizarre and yet somehow plausible. He is a writer who knows his sci-fi tropes well enough to twist them into a Möbius strip and take them to new places while still providing plenty of easter eggs to keen readers of the genre.
In any biography of a great and celebrated figure, we’re always carried along by the climb to the top of their field. And it’s the same here. We applaud as Houdini goes from triumph to triumph, accompanied by his darling wife Bess, and even more by his first great love, his Mama. Inevitably, the crash occurs, if not the fall from grace, then at least the consequences of advancing years.
Between and around the book’s hard science, the author wraps accessible and warmly told human narratives such as the tale of the dying man who on his last sea trip first realized whales communicated with each other. Thus, The Sounds of Life is filled with a certain kind of wild, brilliant charm that makes it very readable for the scientific and the nonscientific minded alike.
This compact 204-page handbook exhorts elders to manifest their creative passions, regardless of their past experience in creativity. The book is an invitation and a call to action. “Old age is a prime time to flourish in creative productivity,” Long says. “It is also a time to begin creative work.”
Authors of two new poetry collections get together to interview one another about their work. Cynthia Good, author of What We Do with Our Hands, and Stelios Mormoris, author of The Oculus take a deeper look at what compels a person to write a poem.
In re-reading the interview now, it is clear that Gary Snyder was just an entry point for me to have a conversation with a true renaissance man of poetry. I’m reminded of the Pakistani proverb that says when you share the first cup of tea, you are a stranger. With the second cup, you are a friend, and with the third cup, you become family. Mr. Roggeman and I sipped coffee during our conversation, and it was clear that we quickly moved through the three cups from strangers to friends.
The contradictory images reflect themes throughout Stiefel’s verse, which oscillates between nihilism and contentment – or at least resignation and a sensual appreciation of the ephemera of the world. As he writes in the opening poem, “Lest”: “I devour everything I can, the mind defaced, a tattered gown, strawberry leaf, a statue, half-submerged.”