We have a copy of These Things Happen by Michael Eon to give away!
To win, sign up for our Free Newsletter on the right-hand side of the site and enter via the newsletter. Winner will be chosen by the end of September from subscribers who enter via the newsletter. Good luck!
Near the middle of the book, Smith concludes her elimination experiment. Changing her habits has helped her regain her equilibrium, but the shift is not as drastic as she envisioned. Life looks the same as it did pre-pandemic but clearly something in her inner experience has changed.
All in all, these poems are sensitive, moving, perceptive, and carefully crafted gems. Discouragement might lurk in the words, yet the balance is tilting toward hope. As expressed in the poem “A Close and Constant Rage,” the poet notes “my continuous rage colliding / with the natural world, … / surround me with a can-do moment of hope.”
She laughs when she talks about those who think she’s locked up somewhere “blowing square bubbles.” She went on to have a “normal” life, got married, raised a family, wrote twenty novels, worked as an anthropology professor at the Colorado School of Mines, volunteered as the first female EMT in her mountain community, tutored students in Hebrew, made jam and sewed clothes…and made trouble when necessary.
Whitacre makes it clear from the start that this is family folklore handed down over generations at Thanksgiving dinners and Christmas celebrations and other family gatherings. Indeed, the second poem, “Jennie at Thanksgiving,” introduces us to the central figure, now a toothless old lady who is hard of hearing, her food “ground to mush” so that she’s able to eat. “She gums away fitfully.”
Ottaway explores the way that women are often taught to mask emotions which can make diagnosis difficult. The book is also deeply personal, putting the reader directly into the experience and incorporating a welter of complex emotions, sensations, and perspectives that are powerful. Poetry is the right medium, embracing the complexity through rhythm, structure, imagery, and an engagement in the senses that creates immediacy.
Robert McKean spoke via email with Caitlin Hamilton Summie about his latest novel, Mending What is Broken, published by University of W. Alabama/Livingston Press on August 20th. While also a writer, Summie is also McKean’s publicist. Their conversation focused on his new book but also included a few questions about craft, as McKean always writes about the same fictional place, across all his books. Each book, however, works as a stand-alone.
O’Hagan manages a delicate balance between immediacy and nostalgia with a light hand that feels natural, inviting the reader into the moment to share in the meaning making. There are layers of desire pervading the work, time and space condensing, folding into itself in sudden revelations that come into a quiet scene with the force of empathy
Moss’ words are eloquent and have a deep ring of truth. I love how he utilises sophisticated words mixed with slang. Several of the poems engage with the suffering of First Nations people including the welfare abuse of children who were taken away from their families. Moss pulls no punches, and his words are hard-hitting and powerful.
Cameron is very creative and is able to reveal a lot in the different ways she writes and sets the poems. For example in one poem she utilises pieces of dialogues which are obviously spoken at the time of the diagnosis. In this section there is also a very poignant poem titled “A Letter to my Body”. We sometimes see our body as a different entity and we question ‘it’,or get angry with ‘it’ thinking or saying “how can you do this to me?”.