The paronomasia here and all over trying x trying is astounding, and the cryptic title – trying x trying – likewise highlights Malech’s elusive cleverness, her coy, seductive use of words, her dexterity with language. Dora Malech’s verse makes you think of an acrobat who makes it look so easy, flying through the air, swinging on the trapeze, gracefully contorting, spinning, landing in a seemingly single effort.
Tag: poetry
A review of Eject City by Jason Morphew
Morphew’s background as both a poet and songwriter resonates throughout the collection. Some poems carry a musical cadence; others resist rhythm altogether. Morphew is unafraid to let his poems falter, stutter, or collapse into silence. He is a true artist—a virtuoso who is unafraid to take risks. He transforms his despair and life’s experiences into art—whether of body, of heart, or of legacy.
Gold Digger by Lisa Collyer
Gold Digger is a bristling invitation. A challenge and a call to attention. It demands an opening of the eyes and ears to lives lived vivid and vital despite the social context in which they are lived. This is a collection as galvanising as it is refreshing, and I congratulate Lisa and Gazebo Books on its publication. If you identify as a woman, you will feel seen in these pages. If you neither identify as a woman nor have spent any of your life socialised as one, prepare to have your eyes unpeeled.
A review of Alighting in Time by Lynne Wycherley
As her poetry and prose articles indicate, she is concerned about the little-known risks of the wireless boom and works to build awareness of the dangers. While her recurrent theme is the threat posed by modernity to the rhythms and solace of nature, her poems are not overly didactic nor depressing. They are uplifting and also reader-friendly; she includes footnotes to explain potentially unfamiliar terms.
A review of Burn by Barbara Hamby
Hamby’s ideas flow like a person talking to herself, and we get to listen in. Her free-association stream-of-consciousness is exactly the stuff of dreams, as alluded to earlier, so it’s no surprise that so many of the odes involve dreams. “Ode on the Rilke Metro Stop in the Paris of My Dreams” is one (“In this dream we’re in Paris, driving around in a car, / which is a nightmare…”).
A review of The Drop Off by David Stavanger
The Drop Off takes these notions of play, irreverence and art, and utilises the tools of poetry – redaction and silences, puns, the language of public discourse, rhythm and structure to lead the reader, almost by stealth, into sudden moments of intense vulnerability.
A review of Outliving Michael by Steven Reigns
There’s a great deal of nostalgia in Outliving Michael, of course, remembering a friend who died a quarter century ago, but Reigns is also remembering his own youth, with that same sweet nostalgia. Michael has gone shopping for jeans at the mall, the occasion for Reigns to make this observation about the immortality of youth.
A review of Daphne by Kristen Case, Blood Feather by Karla Kelsey, and Phantom Number: An Abecedarium for April by Spring Ulmer,
Each of the texts also explores the interrogation and violence of language. In Daphne, language is presented as violent, erotic, and philosophical. The text plays with and warps definitions (this is especially evident in the analysis of the words “ravish” and “tonic”) to reveal embedded power structures within the way we use language.
A review of It Wasn’t Easy to Reach You by Daniel Meltz
In all, Daniel Meltz accomplished what he set out to do with his collection of poems: to love, be kind, forgive, keep growing, even as an adult, and to have a dry sense of humor no matter how many times life knocks you down. I applaud him on his sincere frankness, and his book is a testament to his life.
A review of Title: Comin’ ‘Round: Selected Writings by James Sherry
Comin’ ‘Round captures Sherry’s expansiveness, reflecting an artist’s breadth of vision, while dedicating himself to fostering literary community both in his ethos of connection through his own writing and in his support of fellow writers through his Segue reading series and publishing work. Sherry’s circularity invites, questions and encourages.