Tag: poetry

A review of Girl at the End of the World by Erin Carlyle

Each poem serves as a poignant vignette, exploring themes of opioid addiction, childhood, familial relationships, broader environmental grief, and the struggle for survival. Carlyle skillfully captures the disorienting experience of losing a complicated father to addiction while the world itself seems to be unraveling. 

Where the Time Goes, a review of Knowing by Mark Cox

Perhaps all of the aforementioned influenced the distinct voice in Knowing, a voice that probes and wonders, laments and celebrates. Three central ideas are: The past is good, the present is better; fate coexists with human will; and time is unstoppable, art stops time.

A review of Shocking the Dark by Robert Lowes

Scant need to explain the theme. Here we have a wistful reflection, one of the attendants of faith. The question of evil is difficult enough; here we touch upon the divine conscience. And it’s even in an almost 10-9 meter, save for the final line. Almost.

A review of Little River of Amazement by Mary Kay Rummel

Mary Kay Rummel’s universe is vast, but as “Ars Poetica” spells out, she focuses on the world around her with a keen attention to detail. The title, indeed, says it all.Little River of Amazement comes from one of the new poems, “December Bodies,” in the first of her two-part suite of new work, For the Speechless World.

A review of Zero at the Bone by Christian Wiman

Poetry gives suffering form, and giving suffering form is an antidote to despair.  Yet content matters, too.  For Wiman, much confessionalism is “an idolatry of suffering…an outrage that no person (or group) has suffered as we have, or simply a solipsistic withdrawal that leaves us maniacally describing every detail of our cells.

A review of The Homesick Mortician by Peter Mladinic

There is an urgency to this breaking down of line structure, often bridged by run-on thoughts strung together by comma fasteners. It is a compelling style, one that makes the collection very readable at a quick clip. In some cases, as with the first poem, structure reasserts itself at the end with a strong strike upon the bell of reality: “They brought him home.”