Liberalism may well be a sentiment, for Jews and everyone else, as Walzer argues. But it is far more than that, and we forget its political content at our peril. Liberalism forces hard political and economic choices and forecloses some options. Sentiment and moral stance, necessary though they may be, is not enough, and never has been.
In Homer’s long and legendary poem The Iliad, one of the founding works of Greek and world literature, written in the eight century before the existence of Christ, a great cast of characters, conflicts, and choices seems to contain the wealth and wisdom of the ages: about the seduction and abduction of the Spartan queen Helen by a prince of Troy, and the war that follows, including a fight between the princes Achilles and Hector, there is a clash of cultures, and an exploration of heroism and hubris, that suggest the fundamentals of civilization.
Flynn’s attention to detail in describing Sizemore’s various meetings and situations is what makes the story so believable and hilarious. Always the gentleman (“I’d learned through osmosis from my father that you always compliment somebody before you turn them down”), he gets what he wants with a smile. It’s a lesson in how to conduct yourself in the most difficult situations with the most persuasive people. There are very few revered institutions and American ideals that are left unscathed by Flynn, and rightfully so.
Reading Fifty Miles brought me to tears a few times, but St Germain courage and determination inspired me and made me reflect as a mother. Fifty Miles is a book that won’t disappoint readers.
Axiomatic is a gorgeous, difficult and extraordinary book that demands deep engagement from the reader. Tumarkin’s humility, dark humour, scholarship, and above all, the empathy with which she connects her own experience to that of her subjects and ultimately to that of the reader creates a tapestry that is moving, powerful, and important. This is a book that seeps under the skin, changing perception. It’s vital reading.
Whether serious or silly, Reese’s prose reads like poetry. He says more in a paragraph than most authors achieve over several pages. The final chapters are the shortest and most personal vignettes featuring his wife, daughters and co-workers. Reese finds the profound in everyday, parochial life in Bone Chalk.
Part Marley and Me, part Bucket List, part travel memoir, Cohen’s book tells the story of Simba, a larger-than-life Labrador retriever whose physical size is matched only by his love of people. Cohen’s wife, Laureen, was technically Simba’s owner (he was bought by her first husband), but as is the case with blended families, when Cohen and Laureen married, their five children and the dog quickly became a cohesive unit.
Smith would have us believe that is a book about nothing. She opens it with a phrase from a dream that haunts her: “It’s not so easy writing about nothing.” Those of us who recognise her intense grief, and the determination to capture these experiences in poetic prose, will disagree that this is a book about nothing. Perhaps it’s a book where “nothing” happens: it becomes something.
Dancing at the Shame Prom: Sharing the Stories that Kept Us Small is a powerful nonfiction anthology by 27 professional women who share their real stories (and use their real names) to inspire others to become unafraid of the shadows that haunt their lives, and to shed the feelings that promise them they will never be good enough for the kind of life they want or ought to have.
Most of the writers included have become, as Val Colic-Peisker puts it, reasonably domesticated. The displacement and bullying is mainly in the past, but the sense of self and how the settled adult relates to the life left behind, is something that continues to transform.