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Though The Narrow Road to the Deep North is very much a novel of war, and the impact of the war experience, it is also a love story. It is perhaps the love story itself – and the many manifestations of love, as it appears in the book, that affects the transformation. Love too is a permanent force, leaving its imprint, and changing us.
The cover illustration of Daniel Grotta’s Seven from Haven shows two appealing cats, one white, one black, posed with a tombstone. This picture captures the tone of Grotta’s seven short stories in this collection – gentle discomfiting tales of the unexplained, set in or near the Pennsylvania mountain village of Haven. The stories are intriguing, eerie and disturbing, and also have as themes big issues like civil rights, war, technology, and the bonds that link human beings.
All of the characters in this book are needy in one way or another, even those, like Keely’s mum Doris, who appear to be self-contained. These needs, some of which are complex and subtle, form a subtext that operates as a perfect contrast to the thriller-like action that escalates as the story progresses. The result is a beautiful, deep and engaging story that illuminates human frailty, teases out the nature of risk and compassion, and goes very deep into the heart of love, loss, and personal responsibility.
The author of Blood Secret reads from and talks about her new book, about the incident that gave rise to it, her main characters, her local settings, her struggles with the writing, her work in progress, and lots more.
Author Paul Newman drops by to read from and talk about his novel Fin Rising, about writing the first novel, his quirky characters, the fine art of fly fishing, genre bending, the relationship between illustration and writing, and lots more.
Fin Rising is the kind of novel that has something for everyone. It’s beautifully, poetically written, full of pathos and fun, and enough suspense to keep the reader fully engaged until the transformative, and very satisfying conclusion.
Author Brian Castro reads from and talks about his latest novel Street to Street, his three protagonists, the transformative power of the imagination, the notion of failure, melancholy, the relationship between fiction and non-fiction, the fuzziness of genre, and lots more.
The author of Don’t Let the Wind Catch You reads from and talks about his newest LeGarde mystery book, his protagonist Gus, his other mystery series and the lure of the genre for him, the secrets of his proflic output, the intersection…
Though Street to Street often presents a bleak view, with university bureaucrats stifling creativity, talent thwarted and wasted, and beauty and love destroyed through lack of focus, it does seem to me to end on a very positive, and deeply tender note. The real richness of this novel begins and ends with language and the power that attentiveness to it has to overcome the foibles and day-to-day emptiness that seems to take hold of the two protagonists in this book.