Every story told in the book is written as a past memory and Lucy intertwines her own reflections as she tells her story. The story is told through the narrator’s point of view in the same fashion one would write a memoir about his or her own life. What Elizabeth Strout has done so brilliantly is convinced readers that Lucy’s life is real and we are a part of it.
Category: Literary Fiction Reviews
Jane Caro talks about Plain-Speaking Jane
Author, novelist, journalist, broadcaster, columnist, advertising writer and social commentator Jane Caro, chats about her memoir Plain-Speaking Jane, about the power of plain speaking – not just in terms of being candid, but in terms of breaking silence and comunicating…
Vivian Gornick reads from and talks about The Odd Woman and the City
In this special “on location” Sydney Writers Festival show, Vivian Gornick reads from and talks about the writing of her latest book The Odd Woman and the City, about the nature (and freedom) of “oddness”, about the joy and vitality…
A review of Men by Marie Darrieussecq
Solange’s journey is one that takes her into her own heart of darkness, where she finds her limitations, her humiliations and restrictions, and the cultural, political, gendered and racial stereotypes through which she has defined herself. Throughout the novel she begins to unravel these, unwinding herself slowly until she is temporarily removed altogether as subject.
A review of The Diary of Norman K by Dimitrios Ikonomou
It takes strength of character to pursue, and create, human wretchedness in all its shapes for 360 pages. Like many unreliable narrators before him, Norman K ranges from obnoxious to villainous in his pretension, and The Diary of Norman K shows how uniquely we puts on airs, down to a style of speech best described by his “friend” Russell as “an Elizabethan aristocrat who had just woken up from a two-hundred-year coma.
Dimitrios Ikonomou reads from and chats about The Diary of Norman K
Author and scultor Dimitrios Ikonomou reads from his new novel The Diary of Norman K, and chats with Justin Goodman about his book and its origins, his characters, on having an unreliable narrator on an unreliable journey, on meta-fiction, on…
A review of The Bricks that Build the Houses by Kate Tempest
Beneath the fun, fast, and well-plotted story, is a deep poetic exploration of yearning, creativity, and the constrictions of poverty. The characters live between pulses of transcendence that take place as they struggle to create meaning from their hand-to-mouth lives.
A review of He Runs the Moon by Wendy Brandmark
Themes of identity and belonging disturb the calm surface of Wendy Brandmark’s collection of short stories, which are set in Denver, New York and Boston in the 1950s, 1960s and 1970s. Many of the stories concern characters who have been displaced geographically and emotionally: young or old, successful or unsuccessful, their lives have slipped their moorings.
A review of Re-Enchanting Nature by David Vigoda
Readers who look for a novel well steeped in philosophy which takes the classic love scenario and turns it upside down will find much to relish in this evocative story of adventurers who seek to reinvent not just themselves and each other, but their worlds.
A review of Diaboliad & Notes on a Cuff by Mikhail Bulgakov
These two handsome and distinctive paperbacks form part of a series showcasing the work of Russian Master Mikhail Bulgakov. Some of the stories in Notes on a Cuff appear in English for the first time, so this is a real treat for Bulgakovians. In addition, both books include valuable textual apparatus: photographs (Mikhail was quite the dandy), notes and a concluding section on the life and work of Bulgakov.