The Witches of St Petersburg’s Imogen Edwards-Jones talks about the making of her new novel, the real characters behind the book, her research, historical fiction in general, and lots more.
Category: Literary Fiction Reviews
A review of New Micro: Exceptionally Short Fiction edited by James Thomas and Robert Scotellaro
All of the micros in this collection could be described as “on the verge of vanishing.” But thinking about this specific set of stories related to disappearing, especially Cooper’s, leads me to wonder why we’re drawn to this particular form, especially now. Forget the Internet and the short-attention span argument for a moment. What if the desire for the micro and flash fiction is born of a last-ditch effort to get in and get out, while we can?
A review of Normal People by Sally Rooney
Despite its often bleak outlook, Normal People is a hopeful book, and though the trajectory of Connell and Marianne is often painful at times, intellect and emotion pulling in opposite direction, Normal People is a powerful read that not only provides insight into the young, modern mind, but also which provides a classic thematic in a modernistic, tight and compelling format.
A review of Review of Clock Dance by Anne Tyler
The clock dance in Anne Tyler’s new novel originates with three pre-teen girls who line up behind each other and move their arms like the hands of a clock. Time flies; life is short, too short to be stalled in a negative pattern left over from childhood, especially if you are sixty-one years old, as is the protagonist, Willa.
A review of The Shades by Evgenia Citkowitz
Lyrical and solemn, The Shades underscores the sense of meaninglessness that follows the death of a family member. Through its piecemeal narration that takes readers through various perspectives, the novel’s characters never quite seem to move past what has happened—instead, it is as though they swim eternally in their own fear of death.
A review of Bridge of Clay by Markus Zusak
Bridge of Clay is a beautiful, complex book full of subtlety, metaphor, and human connection. It’s a story of many things, not just a child’s attempt to document the loss and redemption of his family, though that is the driving plot line. It’s also about the nature and power of language and to that extent there is a meta-fictional quality to the work.
A review of Do the Wrong Thing by Malcolm van Delst
In some ways, Do the Wrong Thing is a metafictional novel (memoir? meditation? remembered dream?) par excellence, for it contains deliberate errors, metatextual tags, lists and poems, plus the occasional illustration.
A review of A Thing of the Moment by Bruno Noble
The first third of A Thing of the Moment is by far the most successful part of the novel. Its gradual unfolding of the children’s individual lives is compelling and increasingly disturbing, particularly Isabella’s bizarre and horrifying family. Injustice, unfairness, evil – seen through the eyes of a child, these things have an existential weight and determining force that can distort a life forever.
A review of A Biography of a Chance Miracle by Tanja Maljartschuk
A Biography of a Chance Miracle is a collection of stories that appear unnoteworthy at first glance, but swell and fill the imagination as one reads them. The final twist is both perfectly surreal and perfectly logical in a book whose hero’s stubborn faith—in herself, if nothing else—is nothing short of magic.
A review of Welcome to Saint Angel by William Luvaas
With its descriptions of a collective madness sparked by mendacity and greed disguised as irresistible ‘progress’, Welcome to Saint Angel has literary antecedents in the cynical realism of Sinclair Lewis and the paranoid desperation of Nathaniel West, plus a liberal dose of Gore Vidal in his Duluth mood.