Seeing the play gave me a strong sense of how theater might connect with contemporary reality, with daily conversation and our own lives and public choices. It’s easy to have a conversation after such a play about our own recent political phenomena, easy to talk about how we compromise our own ethics or repress our personal complexity to fit in…
Author:
A review of The Darwin Poems by Emily Ballou
Each poem stands alone and it is possible to read them in isolation, but whether Darwin is studying, travelling, testing hypotheses, raising children, reflecting on life and death, or dying, there is a real sense of the humanity behind the legend – something that the reader can identify with.
A review of Chez Max by Jakob Arjouni
There is an anxious, frenetic, yet absurd quality to this society and to the story which Arjouni so skillfully weaves. It is like being on a ride that is bound for nowhere good, but which cannot be stopped.
A review of Science as a Spiritual Practice by Imants Baruss
So there is little account of the ethical dimensions of a spiritual life, nor of the fact that spiritual yearning can arise out of a dissatisfaction with contemporary modes of living, despair or indeed grief, ‘so often the source of our spirit’s growth’ (Rilke). Rather than, say, through a sense that science’s materialist world-view is inadequate.
A review of Sold by Brendan Gullifer
Though the villains are suitably bad and the good guys reasonably decent, there are some lovely twists along the way that throw the whole notion of truth into chaos and leave the reader, like Will, questioning every motive. Sold is a sparkling debut novel that combines ironic, sardonic humour with a hefty dose of eye-opening reality. Buying (or selling) a house will never seem the same again.
Be Caring, Be Honest: Jim Jarmusch’s Down by Law
It’s funny: I had been thinking of Jim Jarmusch and Hal Hartley shortly before seeing Down by Law, wondering if they were giving us stories that were more true than that of many other film directors; wondering if their work was more important than we would be led to believe by the celebration of other directors.
Accidental Intimacies, Genuine Need: Pineapple Express, starring Seth Rogen and James Franco
It was interesting to see that what is made into satire now are things that used to be subtext but that we all know to look for—the no longer buried male need for other men (the homoemotional/homoerotic); and in the film, as some commentators have pointed out, that can occur in certain slippages of language, certain “accidental” incidents of physical closeness, etc.
Sweet Friendship: the film Rock My World, featuring Alicia Silverstone
What is fascinating is that, thanks to the rehearsals we see and hear, rehearsals in which the young woman musician’s improvisations add something good to the music, the film is a musical, one that emerges naturally.
Allegory, Film, and Criticism: Athol Fugard’s Boesman and Lena, starring Angela Bassett and Danny Glover
I did not find Boesman and Lena too wordy, or distractingly allegorical—but then I expect intelligence and meaning, and even imagination, in conversation and in art. I thought Boesman and Lena was a film for which Angela Bassett should have received the highest commendations; and I admired Danny Glover’s performance.
The Burnt Remains of War: Jarhead, a film directed by Sam Mendes
I wouldn’t say that Jamie Foxx is bad in Jarhead, nor that he was bad in Stealth: only that these characters do not allow him the careful performance he gave in the biographical film Ray; and in Jarhead he’s a dedicated military man—committed, forceful, and loud, but decent.