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En Busca del Tiempo Perdido, a review of Indifferent Cities by Ángel García

Indifferent Cities – raises compelling questions about the nature of family, of generations, of how we may reach a point in our lives when, regardless of whether our parents are living or deceased, we become, psychically, parents to our own parents and perhaps also children to our own children. Indifferent Cities, in inspiring the reader to consider these paradoxes, is anything but indifferent. On the contrary, it is poignant.

A review of A Stranger Comes to Town
by Lynne Sharon Schwartz


Schartz’s prose dazzles as we accompany Joe on his sleuthing. Early in the novel, he considers people seen from his apartment window: “Lots of people looked respectable, but weren’t, and how did I know this? From childhood, somehow. And what did respectable mean anyway? For all I knew I’d spent time in prison.”

A review of Outliving Michael by Steven Reigns

There’s a great deal of nostalgia in Outliving Michael, of course, remembering a friend who died a quarter century ago, but Reigns is also remembering his own youth, with that same sweet nostalgia. Michael has gone shopping for jeans at the mall, the occasion for Reigns to make this observation about the immortality of youth.

Cavalier Perspective: Last Essays 1952-1966 by André Breton

As we might expect, a wistful, retrospective tone runs through many of these pieces, sometimes subtly and under the surface, and sometimes quite explicitly. In one 1952 essay, “ ‘You Have the Floor, Young Seer of Things…’”, Breton laments his inability to appreciate the new trends in postwar painting and contrasts that with the enthusiasm he felt in his youth for new art.

A review of Daphne by Kristen Case, Blood Feather by Karla Kelsey, and Phantom Number: An Abecedarium for April by Spring Ulmer,

Each of the texts also explores the interrogation and violence of language. In Daphne, language is presented as violent, erotic, and philosophical. The text plays with and warps definitions (this is especially evident in the analysis of the words “ravish” and “tonic”) to reveal embedded power structures within the way we use language. Blood Feather uses phonetic play such as Adam/atom, multilingual references, and fluidity to add depth, emotional resonance, and irony to the poems. Phantom Number explores how language is commodified under capitalism.

A review of The Peach King by Inga Simpson

Inga Simpson writes books for all ages, and I’ve loved many of her books for adults, but her new book, The Peach Tree, is one of those picture books will become a classic and be read and re-read, kept and handed down.

A review of What Matters in Jane Austen? by John Mullan


For me, the book resonates on a deeply personal level. Having studied Austen in graduate school, I’ve long been fascinated by the quiet radicalism beneath her polished surface. While she never staged open rebellion against Regency norms, her fiction hums with a subtle critique of its social constraints—expressed through irony, narrative silence, and the moral gravity of her heroines’ choices. Mullan illuminates this with expert precision, showing how Austen’s critical eye is woven into every level of her storytelling.

A review of It Wasn’t Easy to Reach You by Daniel Meltz

In all, Daniel Meltz accomplished what he set out to do with his collection of poems: to love, be kind, forgive, keep growing, even as an adult, and to have a dry sense of humor no matter how many times life knocks you down. I applaud him on his sincere frankness, and his book is a testament to his life.

A review of Count Luna by Alexander Lernet-Holenia

The influence of Dracula on both popular and literary culture goes on and on. That there are tons of awful movies out there, and many novels not worth mentioning, goes without saying. Yet every so often, a book comes along that is a true wonder. It glimmers with a unique identity while leaving little doubt as to its thematic pedigree. One such work is the Austrian poet Alexander Lernet-Holenia’s 1955 short novel Count Luna, which New Directions has released in a fine translation by Jane B. Greene.