Rieves knots subjects together: moments of closeness, lack of friendship, learning to tie knots, rain, what the Bible says, pitching tents, sounds of rain. Thoughts do not happen in isolation; one leads on to others concerning a gesture, an action, a sight. In Rieves’ poetry, the reader’s mind travels with him. Is this “free association?” It is an exploration of a poetic mind, a mind that observes objects, places, people, and itself.
Tag: poetry
A review of Chronicle of Drifting by Yuki Tanaka
Tanaka, who teaches literature at Hosei University in Tokyo, teases out the etymologies of Japanese words throughout. “Two words for ‘heart.’ Kokoro means heart in a moral, spiritual sense,” he writes in one of the “Chronicles of Drifting” prose fragments, “it never refers to the organ. Shinzo, it always does.”
A review of Essence By Thuy On
The short poems throughout Essence work perfectly for the discrete subject matter and are easy to read, but the simplicity belies the depth of this work or the way it interrogates language and the impact it has. Readers will enjoy the many literary references and links throughout the book, and the way in which On collates external sources with a sensual framework. Essence is a pleasure to read, beautifully written, funny and often deeply moving.
A review of Clarion by Jenny Pollak
This book is a poetic and visual artistry, it is also a love song shaped from nature’s elements — sand, salt and time. Pollak reminds us that sticks, though broken, remain strong, wild and full of untamed beauty, capable of profound acts of resilience and grace.
A review of The Four Faces of Eve: A Tribute to Survival by Connie Boyle, Brooke Granville, Petra Perkins, and Gail Waldstein
I speak for Colorado when I say we see the weathering/ weathered faces on the cover of this book of poems because these poets have faced the sunshine, the rain and the freezing cold of life. We treasure this wall of women we may not know, yet we feel we do know them. They are our Eve, the source of all life, who eat the forbidden fruit, take God’s consequences and live to tell us about it.
A review of In The Thaw of Day by Cynthia Good
Good’s poems catch and return with these moments of praise and gratitude balancing the tension with hard-fought lessons and observations of resiliency from the natural world. Her poetry combines language that is intensifying and evocative, like a personal diary, with the immediacy of a scrapbook. And it’s this personal baring open and honesty that lingers on making In The Thaw of Day a dynamic collection.
A review of As If Scattered by Holaday Mason
Mason quickly shifts into an influx of embodied imagery and sensuous detail; absorbing love poems, lush and erotic, are further enlivened, countered by a more objective perspective as landscapes of the natural world magnify the intimacy of Mason’s poems. The meditative poetic interchange using briefer lines, airy lineation and informal erasure drew me in through breath and space, encouraging a contemplative atmosphere.
A review of Exactly As I Am by Rae White
The imagery captures the tender and quasi-ritualistic act of leaving pieces of oneself on another person’s life. The metaphor of clothing as both physical and emotional markers is clever and poignant, conjuring connection, memory and the lingering presence of love and yearning. The rhythm flows naturally with conversational ease while opening up new ways of seeing.
A review of on a date with disappointment by Najya Williams
Repetition is one of Najya Williams’ most important lyric strategies. Certain poignant lines are frequently repeated, giving them resonance, enriching and amplifying their meaning. Take “but the memories,” for instance, a poem about heartbreak and resilience. “But the memories have long scabbed over” is repeated five times in this 27-line poem, italicized in the final line. “The scars may never heal — fully at least” is repeated four times.
A review of Magicholia by Jenny Grassl
These poems challenge our preconceived notions and prescribed roles with fascinating imagery and provocative language that introduces Grassl own invented syntax. This unique use of language takes on visually significant forms. The subject matter encompasses dangerous and threatening conditions such as betrayal, life-threatening mental illness, the rigors of treatment, incarceration, and the end of the world.