Poetry gives suffering form, and giving suffering form is an antidote to despair. Yet content matters, too. For Wiman, much confessionalism is “an idolatry of suffering…an outrage that no person (or group) has suffered as we have, or simply a solipsistic withdrawal that leaves us maniacally describing every detail of our cells.
Tag: memoir
The Garden Against Time: In Search of a Common Paradise by Olivia Laing
Throughout The Garden Against Time, Laing returns to the concepts of gates and walls: while she sees the need for secrecy, or at least privacy, as having been crucial for the formation of what she calls a queer “counter-state” (213) in the face of oppression, she is well aware that borders and barriers to access are tools of oppression as well.
A review of Seeing Through by Ricky Ian Gordon
Even in the midst of this plague and the terrible death of so many beautiful people, most of whom I had a crush on as a teenager, there is always humour and a sense of the creative transformation which makes this book a constant joy to read. Ricky’s descriptions are so apt, darkly funny and full of delicious gossip, you want to commit them to memory for re-use.
A review of A Fire at the Center by Karen Van Fossan
What Van Fossan delivers is life—a progress report on a directed but unfinished life, painfully acquainted with ambiguity and exquisitely cast in vibrant minimalist prose. Ultimately, the shadow of the book left in the reader’s mind is neither bound wrists nor angry fist but palms, unchastened, reverently touching.
A review of Fugitive by Simon Tedeschi
Fugitive is a moving and thought-provoking book. It is pithy and at times, funny, full of minor transgressions, extensive scholarship, music and yes, poetry. There is so much compacted into each of these small pieces and yet Fugitives is airy, with enough space to encompass contradiction, breath and above all, silence, another recurring theme.
The Archaeology of Memoir: A review of It’s No Puzzle: A Memoir in Artifact by Cris Mazza
It’s No Puzzle: A Memoir in Artifact was a challenge to write and assemble with its vast cache of memorabilia. The publisher, Spuyten Duyvil Press, did an exemplary job of logistically formatting the book to its polished result. What Mazza uncovers explains her challenges even if it doesn’t quite resolve them.
A review of A Brilliant Life by Rachelle Unreich
Unreich tells her mother’s story with an immediacy that feels close. Though Mira sees some of the worst of what human beings are capable of, she talks about her luck, and the goodness of people. Even in the midst of her worst hunger and bleakest moments, Mira never stops being a beacon of hope for those around her.
You Can’t Quit Yourself: A review of I Quit Everything by Freda Love Smith
Near the middle of the book, Smith concludes her elimination experiment. Changing her habits has helped her regain her equilibrium, but the shift is not as drastic as she envisioned. Life looks the same as it did pre-pandemic but clearly something in her inner experience has changed.
A review of Restless Dolly Maunder by Kate Grenville
Restless Dolly Maunder is an easy and fast-paced read. It may be labelled as fiction, and certainly Grenville uses all of her narrative capabilities to create such a compelling character, but the book is as much a story of Australia’s history as it is the tale of a strong, intelligent and thwarted woman whose struggles helped transform the lives of generations to follow.
A review of The Best Minds by Jonathan Rosen
Jonathan Rosen became best friends with Michael Lauder at age ten. His outstanding new book, The Best Minds, offers an assiduously researched and compelling portrait of the man. It also raises questions about the responsibilities of friendship, and the human capacity for denial. Twenty-five years have elapsed since Lauder’s criminal unravelling, a span that has given Rosen space and time not only to research the people and ideas of this story, but to sift through his own complex feelings about Lauder and the path his life took.