I would highly, highly encourage you to read the previous books in the Shadowhunter Chronicles. Ghosts of Shadow Market had me in hysterics, tears and laughter all at once. I found it to be absolute perfection. For this book, and for all of the other Shadowhunter novels, I think the best suited age group would be 14+. I believe the time you read certain books or series influences your opinion and I delved into the fantasy world of Shadowhunters, demons and Downworlders at perhaps the perfect time.
Tag: fiction
A review of Clockwork Princess by Cassandra Clare
The relationship, particularly those between our main characters – Will, Tessa and Jem – strengthens and grows even more through the course of Clockwork Princess, with the conclusion of this book to be one of the best I’ve read. The final scenes and chapters of this book were truly astonishing and absolutely wonderful.
A review of Below Deck by Sophie Hardcastle
Oli’s rebirth is rooted in connection, where she feels herself a part of the ocean; a part of the Earth, and connected to the other women with her. It’s an antidote to violence and the kind of toxic masculinity that is destroying our species. Below Deck is a rich, powerful, and wonderful novel full of exquisite writing, important themes, and powerfully realised textures.
A review of The Deceptions by Suzanne Leal
Suzanne Leal, an Australian novelist and lawyer, has contributed a powerful novel to this large body of Holocaust literature. It is based on a true story she learned from her former Czech, Jewish landlords, who were also Holocaust survivors.
A review of Wind Follower by Carole McDonnell
McDonnell draws upon her extensive investigation into early African tribal practices in order to better set down a representation of the rituals, mores and qualities of the assorted parties in order to portray a representative clash of societies where social traditions and customs are absolute law.
A review of The Land of Last Chances by Joan Cohen
It is fascinating to watch Jeanne’s character transformation. Early in the novel, she is businesslike, professional, and analytical. She wishes to get things done quickly so she can get back to work. But slowly, cracks in that façade emerge, and she learns human emotions are not business transactions or “deals” to be made.
A review of The Weekend by Charlotte Wood
The Weekend is about so many things: preconceptions, societal norms, continuity and difference, about the self and about relationships, but most particularly about friendship and what it means to be both separate individuals in this world throughout life changes, and also the ways in which we are implicitly connected and collective.
A Superior Spectre by Angela Meyer
A Superior Spectre is deftly constructed piece of literature. It sits shoulder-to-shoulder with some of the greats. Thematically it is a worthy companion-piece to Angela Carter’s The Passion of New Eve. Structurally it folds like the origami of Italio Calvino’s If On A Winter’s Night A Traveler, and Jennifer Egan’s The Keep. Stylistically it employs some of the fuzzy voice of China Mieville’s This Census Taker, where the who and when of the narrator becomes blended and circular.
A review of Everything Inside by Edwidge Danticat
Loss and grief are rooted in a large part of the Haitian diaspora identity and manifests both overtly and covertly throughout these stories. Danticat is meticulous in her writing about Haiti and its people’s complex relationship with the U.S. In each character’s search for a better life, she magnifies the usually unexplored grief that comes with years of generational trauma and migration.
A review of Emerald City by Brian Birnbaum
Birnbaum, a CODA himself, loves florid, beautiful, language. Perhaps being a hearing child of Deaf parents channeled his talents to the written page more readily than to a spoken art? Some well-turned sentences are spot on: “Matthew was a walking gerund, always stating things that could’ve just been done in the first place” personifies the unity of word and action by using its difference.