Stark as a crime writer is beyond criticism. He does pretty much everything well. The way he writes dialogue, especially scenes where three or more people are talking, is well worthy of study. His art as a storyteller is to create problematical situations, uncertainties, iffy anxious stuff – and then to resolve them in a felicitous manner.
Tag: fiction
A review of God of Speed by Luke Davies
Though Davies’ Hughes isn’t exactly a likable character, the intimacy is so striking and the intensity of the portrait so great that Hughes becomes someone entirely familiar. Not so much the grand aviator with all the superlatives of his status: richest, fastest, most inventive, but instead, a man like any other, pursued by demons and running hard to find a way to live through them.
A review of Through A Glass, Darkly by Bill Hussey
Hussey has been kind to the reader by slicing his novel into bed-time-reading sized chapters. But unless you like your nightmares to be as ‘jittery as a dog full of fleas’ then read Through a Glass Darkly on a bright summer’s day.
A review of The New Angel by Ali Alizadeh
Bahram’s is the voice of the newly-arrived immigrant, misunderstood and always alien, at home neither in the country he has come from nor the one he now inhabits. Such people are becoming increasingly common in our globalised society, and their outsider voices need to be heard and heeded if the notion of a ‘global village’ is to ever become a reality.
A review of Tumbuktu by Paul Auster
The overriding desire for meaning beyond this short life is one which infuses the book, but Auster never allows a human narrative voice to interfere with Mr Bones’ perspective. Clever, funny, lighthearted and serious all at the same time, this is a stylistic departure for Paul Auster which nonetheless makes full use of his gifts.
A review of Tremolo: Cry of the Loon by Aaron Paul Lazar
What makes this book work so well is how it moves beyond genre, to illuminate a critical period in his hero’s life, showing just how the warmth and honesty in his family life have given rise to an integrity which makes him more than simply a clever detective. His character creates a theme that works throughout all of the Gus LeGarde books, and, I suspect, a theme that may well be present in all of Lazar’s work.
A review of Can You Forgive Her by Anthony Trollope
It is the first book in the Palliser series, so that if you want to tackle this one of Trollope’s two novel-sets, you should start here. And it is a probing and sensitive study of a woman struggling to find her own way, in a society where this was really unheard of, and where it took much more of a battle than it would today.
A review of The Brief Wondrous Life of Oscar Wao by Junot Díaz
There are stereotypes where I wouldn’t have expected them (the strong, fierce, scarred mother Belicia, for example, whose interior life is scarcely present). It is action-packed and invigorating. For a first novel, it contains remarkable writing and invention, but there is plenty of room for development and maturation in his subsequent work.
A review of Lavinia by Ursula K. Le Guin
There is little of misplaced historicism where characters from another age are motivated by ideas and principles that are present to us but had no existence in early times. Le Guin brings forth without fuss the conditions of a time without the conveniences on which we rely and she concentrates on the characters and the perfectly plausible motivations that direct their lives
A review of The Bait Shack by Harry Hughes
The exploration of themes like how we deal with midlife, love, and hate in the 21st Century – in the wake of the sixties — makes this a book that resonates long after the fun stops. Hughes’ descriptive powers are exceptional, from the Dickensian characters carrying the full range of quirks – both charming and obnoxious, to the rich natural world of its Long Island setting.