Sam North also achieves the virtually impossible by treating the subject of auras, ghosts and fortune-telling seriously and intelligently. It could all too easily become a shallow ghost story or cliched horror novel. His colloquial, matter-of-fact style is something to do with the reason it isn’t, but it is more than that.
Tag: fiction
A review of One Evening in Paris by Nicolas Barreau
The discussion of film elevates the novel above and beyond category romance. Alain’s Uncle Bernard liked films that “had an idea… moved people…[and] gave them a dream to take with them” – all elements necessary for a good story, whether on film or in print. Through Alain, Nicolas Barreau lists the “golden rules” of good film comedy: “a chase is better than a conversation”; “a bedroom is better than a living room”, and “an arrival is better than a departure.” Barreau uses these storytelling principles to good effect in One Evening in Paris.
A review of Small Blessings by Martha Woodroof
Small Blessings touches on issues like the consquences of adultery, along with alcoholism and drug abuse, but uses them as devices rather than serious themes. At the end of Small Blessings we find Rose crossing her fingers, “hoping against hope that life really might be that simple.” Unfortunately, real life isn’t as simple as it is presented in this feel-good romance.
A review of The Handkerchief Map by Kiri English-Hawke
Written by Kiri English-Hawke when she was a schoolgirl, this short, insightful narrative affirms that the current generation of young people are still affected and troubled by the Holocaust of WW2 when ordinary citizens’ lives were scarred by an horrific and hideous conflict that made no sense. It is a remarkable achievement as it offers a very positive picture on the resilience of the human spirit in the landscape of war.
A review of Faulkner and Friends by Vicki Salloum
Like Faulkner, Salloum writes impressionistically and uses stream-of-consciousness narration, demanding that the reader do some work to put together the strands of the characters’ stories. While his main themes are race, and the Southern heritage while hers is poverty. In some respects, Salloum’s novel resembles John Steinbeck’s Cannery Row in its celebration of people on society’s fringes.
A Conversation with Elizabeth Gilbert
The author of The Signature of All Things talks about her return to the novel, about shifting genre gears, about the impact of popularity and notions of success, the book’s epigraph, on achieving authenticity, her characters, on the spiritual aspects of her book, and lots more.
A review of Lost & Found by Brooke Davis
Millie’s plight alone should have had me in tears by page two, but Davis has drawn this character so skilfully that at no point did I pity her. Yes, I wanted to give her mother a slap for leaving her daughter in a shopping centre—but at the same time I understood why she did what she did. And that is the magic of this story: Everyone who has ever been torn asunder by loss will relate to these broken people.
A review of Cry of The Fish Eagle by Peter Rimmer
An excellent read for those interested in Rhodesia, now Zimbabwe and the transitions time has wrought. A somewhat melancholy, sad story, the tale nevertheless manages to present the pathos of the time without becoming maudlin.
A review of The Signature of All Things by Elizabeth Gilbert
In The Signature of All Things, Elizabeth Gilbert, famous for her memoir, Eat, Pray, Love, presents a fictional early 19th century woman botanist. Alma Whittaker arrives at a theory of natural selection and survival of the fittest almost simultaneously with Charles Darwin, whose seminal work, On the Origin of Species, was published in 1859.
A review of Dreaming for Freud by Sheila Kohler
Stylistically, Kohler makes excellent use of interior monologue, alternating between Freud and Ida. The novel is presented in a poetic, intimate way that encourages readers’ intense emotional involvement. Kohler also makes effective use of “flashes forward”, interrupting the present of the story to provide tidbits of information about the characters’ futures. The novel is suspenseful. We wonder: Will the young woman give in to Freud, or will she assert her own interpretation of her feelings? What becomes of her and the adults who poisoned her teenage years?