Only Disconnect: A review of Television: A Biography by David Thomson

All told, Thomson’s is a critical assessment of television’s effects on society. At times, the author appears to accept the medium for the lurid wasteland that it is—says the film critic, “snobbery melted away with television, and worthlessness became entirely acceptable. Time could be wasted.” Still, at no point does Thomson quit his suspicion that this new way of living—of watching life in living rooms—warps our conceptions of civic duty, morality, and life itself.

A review of The Accusation by Wendy James

To say that the book is engaging is a gross understatement. The Accusation is the kind of story that you miss meals to finish, sneak read, and stay up late to keep going. It’s ultra-fast paced, and the speed of the plot belies just how good James’ writing is. James is a master of suspense, providing all sorts of subtle hints and details with legalistic precision.

An interview with Robert Erlandson

Robert Erlandson is professor emeritus of Engineering who has authored and edited a variety of technical papers, reports and books. He has maintained a journal of poetry and painted for over fifty years. Currently, he draws, paints, creates digital images and writes for the joy of expression. He joins us to talk about his latest book, Awe, a chapbook of images and poetry.

A review White Horses by Linda Blaskey


Horses also showcases Blaskey’s eye and ear for nature poetry. The collection bounces back and forth across the country to the Ozarks to the midwest to the Delaware coast. But Blaskey is most at home in rural settings where “a combine sits idle in a half-harvested soybean field” or where “ grasshoppers stirred up from weeds leap onto your legs and arms.”

Stranger, Friend, Artist, and Literary Legacy: James Baldwin and His Interpreters

I, as a reader and writer, as well as a citizen interested in social progress, was impressed, almost always, by Baldwin’s determination to bring eloquence, compassion, and wisdom to the hostilities and hopes he perceived, beyond the controversies of lasting conflicts—but I noted, as did others, that, with time’s passage, his disappointments inspired him to a brutal bluntness that could be read as bitterness. 

An interview with Julie Keys

Julie Keys lives in the Illawarra region on the NSW south coast. Her short stories have been published across a range of Australian journals. Julie has worked as a tutor, a registered nurse, a youth worker and as a clinical trials coordinator. She is now studying a PhD in creative arts at the University of Wollongong and writing full-time. Her debut novel, The Artist’s Portrait, was shortlisted for The Richell Prize for Emerging Writers in 2017.