Paromita Sengupta’s “Editorial Notes on the Text” as well as “Bibliography” help us understand the text better and stir our desire to know the life and times of the protagonist, Bany Lall, and like-minded youths thoroughly. It is a must read for every Bengalee, nay Indian, who would love to trace the history of the times, seemingly past and lost in the abyss of time.
A review of All the Lives We’ve Lived by Roslyn McFarland
Kate’s trajectory is one of discomfort and discovery as she unearths, and then rewrites her history and the history of Salt Pan Creek, facing the wrongs she and her people, including her own parents, have done, and attempting to right them. McFarland does a beautiful job of pulling history, fiction, multiple love stories and trauma together into a coherent narrative that is powerful.
A review of The Imaginary Age by Leanna Petronella
The homely, everyday objects of our lives that we take for granted become iconic signposts, saturated with meaning, as time unspools. “My childhood was a safe, dark pocket. Now, nothing feels like my childhood djd.”
An interview with James A. Cox, Midwest Book Review
The highly popular and comprehensive Midwest Book Review has been in operation since 1976, and hosts 9 monthly book review magazines such as the Reviewer’s Bookwatch and Internet Bookwatch which are written by volunteer reviewers. Editor-in-Chief, James A. Cox, talks about the site and how it came to be all those years ago and the changes that have taken place, how he keeps up with resources, his connection with libraries and mailing lists, his most popular links, their funding model, and lots more.
A review of The Espionage Act by Jennifer Maiden
This is work that not only provides a different kind of news — engaging with issues like free speech, democracy, aesthetics and ethics – a continual source of interest for Maiden and one she explores with the full weight of her poetic talent, but also allows the reader to see things from a different, and at times, magic realism perspective.
A review of Billie Eilish’s When We All Fall Asleep, Where Do We Go?
Eilish is wry in the way of the enfant terrible but also scary, a bad seed with a beat box and an hermetical disposition that runs to chaos. At first, I thought she’d sprung fully angst-ed out of the head of some A&R woman. The maturity of her lyrics and the fierce, unwavering satire in her phrasing and in her tunes—all a clever ploy for pop stardom in the vein of a DJ Alanis Morrisette or a more whispery Bjork.
A review of The Weekend by Charlotte Wood
The Weekend is about so many things: preconceptions, societal norms, continuity and difference, about the self and about relationships, but most particularly about friendship and what it means to be both separate individuals in this world throughout life changes, and also the ways in which we are implicitly connected and collective.
A review of Intrusive Beauty by Joseph J. Capista
Capista is a skilled poet. His verses command the satisfying circularity of those first two poems, the variety of free verse lines, lull of assonance and repetition, questioning of a philosopher’s observations, mesmerizing rhymes occasional or throughout a poem, and pages sprinkled with sonnets and villanelles.
A Superior Spectre by Angela Meyer
A Superior Spectre is deftly constructed piece of literature. It sits shoulder-to-shoulder with some of the greats. Thematically it is a worthy companion-piece to Angela Carter’s The Passion of New Eve. Structurally it folds like the origami of Italio Calvino’s If On A Winter’s Night A Traveler, and Jennifer Egan’s The Keep. Stylistically it employs some of the fuzzy voice of China Mieville’s This Census Taker, where the who and when of the narrator becomes blended and circular.
A review of The Girl in the Mirror by Jenny Blackford
Blackford’s prose is silky smooth and the book reads quickly, driven by its fantasy narrative and the way in which historical detail is covered. Though the story has paranormal overtones, shifting as it does between the two timeframes, and the shapeshifting villain and ghosts that move between the worlds, The Girl in the Mirror is relevant to a 21st century reader.