This book of poetry is part of Wesley’s mission to bear witness to the pain in her homeland. With her family’s good fortune to live in America, she writes of children in the poem, “This Is The Real Leaving,” that “They may never know / why I’m angry that there’s food in my fridge // while others starve.”
A review of Flowers, all sorts in blossom, figs, berries, and fruits forgotten by Oisín Breen
The 95 page book contains only three poems, but they are grand, long, and epic, taking up space and working across time. Each of the poems relates to one another and are connected through the act described in the title of the first poem:“Isn’t the act of placing flowers on a tomb a gesture of bringing a little life back to the dead?” Taken collectively, the work is an elegy; a meditation on death and time, inheritance and love.
An interview with Michael Foldes
The Founder and Editor-in-Chief of Ragazine talks about his magazine, his social and political work, his own poetry, the most popular column in Ragazine, how the magazine survives (or not) without fees, and lots more.
A review of Below Deck by Sophie Hardcastle
Oli’s rebirth is rooted in connection, where she feels herself a part of the ocean; a part of the Earth, and connected to the other women with her. It’s an antidote to violence and the kind of toxic masculinity that is destroying our species. Below Deck is a rich, powerful, and wonderful novel full of exquisite writing, important themes, and powerfully realised textures.
A review of The Deceptions by Suzanne Leal
Suzanne Leal, an Australian novelist and lawyer, has contributed a powerful novel to this large body of Holocaust literature. It is based on a true story she learned from her former Czech, Jewish landlords, who were also Holocaust survivors.
A review of Wind Follower by Carole McDonnell
McDonnell draws upon her extensive investigation into early African tribal practices in order to better set down a representation of the rituals, mores and qualities of the assorted parties in order to portray a representative clash of societies where social traditions and customs are absolute law.
A review of Clockwork Prince by Cassandra Clare
This proceeding novel delves deeper into characters – old and new. Clockwork Prince left me shocked with tears in my eyes, the ending was incredible and whilst reading this book I lost track of everything around me, I was truly engrossed in the story, the characters, the world and time period.
A review of Two Californias by Robert Glick
In the midst of narratives preoccupied with decay and disease, Glick’s language is vibrant, even magical, and often humorous in its treatment of youthful yearning and cynicism. The author flexes a talent for poetic prose especially in “Mermaid Anatomy,” which is narrated by a young man on vacation from Holland who plays hide-and-seek with a girl he meets at his hostel.
A review of The House the Spirit Builds by Lorna Crozier, Peter Coffman and Diane Laundy
Crozier sometimes finds nature in surprising things. She says, of “Key I”, “perhaps it is not a key but a long-thoraxed praying mantis about to grow legs and walk away.” Of Key II, she writes: “Is it called skeleton because it unlocks the mystery of bones?” Here “nature” is human nature, the human mind’s ability to free associate and make connections.
A review of What Shines from It by Sara Rauch
The theme of wounds in this collection relates principally to issues and disappointments regarding reproduction. Seven of the eleven stories in the collection have to do with infertility, wanted and unwanted pregnancies, life with small children and the hard decisions parents must make. Readers who have these concerns will find What Shines from It particularly meaningful.