An interview with T.I. Lowe

The author of Under the Magnolias talks about her new book and why it is different from her other romance novels, the emotions she felt while writing, her characters, setting, themes, her own personal experiences and inspiration, and lots more.

A review of Red Hands by Colin Sargent

The dangers Ceausescu faces become all the more convincing in Sargent’s depictions of their interviews in which information leaks out bit by painstaking bit. In contrast, she comes across in the rest of the story as a confident and principled woman. The novel focuses on the actions she takes to protect herself, her son, and fellow citizens.

A Review of Beyond the Moon’s White Claw by Patty Dickson Pieczka

Perhaps what is most heartrending is the poem is cast in the present simple conditional mood until the last sentence throws it into the past, which cannot be changed. The speaker’s helplessness before the pain of the PTSD of her ex-husband is compounded and yet inevitably accepted by that painful turn. In the collection, the various symbols from here on begin reversing and resolving.

An interview with Melanie Dobson

The author of The Curator’s Daughter talks about her new book and what inspired the storyline and characters, how she connected her two main characters, what makes the book unique compared to other books in the WWII genre, some of the surprising things she found in her research, her favourite and most difficult characters, her new work-in-progress, and lots more.

A review of Here Lies a Father by McKenzie Cassidy

Secrets and lies permeate this entire story. “Mom had probably known most of his secrets just being married to him for so long, and he had slowly been filling Catherine’s ears with tidbits, I knew close to nothing.” The author of Here Lies a Father, McKenzie Cassidy, might very well been talking about the process of constructing his first novel when he reveals Ian’s state of mind as well as the main thematic elements concerning all of the lies he has heard his whole life. “The truth didn’t matter as much as the way a story made you feel…”

A review of My Stunt Double by Travis Denton

Mourning vies with exultation at every crisp turn of phrase and every crunchy, unexpected line break. Some of that mourning is for the earth, for its creatures, for human folly and ignorance, for the apprehended apocalyptic end of days. Mourning is sometimes captured in references to popular music hits — Tom Petty, Bruce Springsteen, Johnny Cash always blaring out of cars of boys, and fathers who don’t know what to do with, without or about the boys — and sometimes in the symphony of stars, skies, space and otherworldliness. 

An interview with Anahid Nersessian

The author of Keats’s Odes: A Lover’s Discourse talks about her latest book, the way in which her lived experience complicates her understanding of this canonical poet and the way in which she’s had a personal conversation with him about poetry and pain, activism and revolution, love and the sublime, on poetry and social movements, what’s exciting her in contemporary poetics, and lots more.

A review of HellWard: The English Cantos Volume One by James Sale

In HellWard we find powerful, often disturbing language, simultaneously raw and refined, beautiful and at times jolting in its honesty. What struck me particularly throughout the book is the way Sale uses mono-syllabic words to powerful effect: death, hell, pain, depth, weak, guts, ache, dark, gunk, blight, flesh, tears, stench, dread, blood, hiss, oozed,“clots of gore” (a wonderful image), cries, groans, filth, swill, “smelt the blood” (another wonderful image), skull, skin, bone, ice, heat, hot, bare, raw, mess, froth, “dark webs,” “hard  knots”, guilt, “black holes,” blotch, stank, bleak, slop, “greed and pride and lust,” and “sick slime.”