Seth Mullins talks about his new book The Authors of this Dream and the series it fits into, his characters, Shamanism and the metaphysical elements of his book, on writing music (and his own experiences as a musician), the relationship between violence and powerlessness, and lots more.
A review of The Archer by Paulo Coelho
I bought The Archer at a brick and mortar store and flipped through the pages in the aisle. So the length didn’t bother me. But browsing online comments makes it clear that not all readers were aware of the length before buying. Put concretely, I read the book in forty minutes while sipping tea—which slows reading speed.
A review of Sylvia Pankhurst: Natural Born Rebel by Rachel Holmes
Throughout the book, Holmes gives readers fascinating tidbits of information that bring Sylvia and her associates to life. We learn, for instance, that when she and the East London Federation of Socialists established a day care centre during World War I in a renovated former pub, they named this creche “The Mothers’ Arms”.
Metamorphic Imaginaries: A Conversation Between H. L. Hix and Dante Di Stefano
In this wide-reaching conversation, Dante Di Stefano author of Ill Angels chats with H. L. Hix about his new poetry book The Gospel. The two talk about many things including themes, modality of engagement, audience, references, deep engagement, beauty, feminism, and much more.
A review of Second Story by Denise Duhamel
Denise Duhamel can be serious and playful in the very same sentence, solemn and satiric in a single stanza. At the heart of this marvelous new collection is the thirty-five page mock epic, “Terza Irma,” a poem written in terza rima – an arrangement of succeeding tercets that rhyme aba bcb cdc ded, etc. Notably, it’s the rhyme scheme Dante uses in The Divine Comedy, which is appropriate because Duhamel describes a sort of Inferno of her own, her experience of the 2017 hurricane that devasted Florida. She is by turns serious and comic.
A review of Love Objects by Emily Maguire
Though Love Objects shines a bright light on everyday misogyny, institutionalised sexism and classism, it is not the least bit polemical. Love Objects is as engaging a novel as I’ve read, full of beauty – some of it very subtle – including the deep love between the main characters, and a rich sense of what remains when you strip away judgement and artifice, moving towards an almost exuberant affirmation of life and love.
A review of Foxline by Chris Mansell
Foxline is an exquisite, bold work of poetry, with each poem taking on multiple meanings and holding back just the right amount at the point of denouement to allow space for the reader to pause, think, and engage. Mansell’s writing is masterly in its restraint, and beautifully written throughout. Though Flying Island’s Pocket Poetry series uses a tagline of “minor works,” Foxline is anything but.
A review of Mostly Sonnets: Formal Poetry in an Informal World by James A Tweedie
Tweedie is a very fluid writer with a clean, clear, expressive style, which grabs ahold of you with its immediacy and beauty of execution. What is most striking is the mixture of Christian belief intermingled with an honesty of thought, never coming across as sermonizing, but expressing a faith-filled wonder and appreciation for the natural world and the place of the intelligent believer within it.
A review of The Gopher King by Gojan Nikolich
The Gopher King is a ribald fantasy wrapped up in a psychological drama. As such, it can be appreciated at several levels. How much of Stan’s delusions do readers take literally? It is hard to say. But, in the words of the gopher king himself, “If you want to have a headache about the meaning of things, then you have to provide your own aspirin.”
A review of What a Wonderful World This Could Be by Lee Zacharias
Zacharias skilfully achieves a balance between Alex’s personal journey and the historical events of the 1960s and ‘70s by presenting events from Alex’s unsophisticated perspective. Alex loves Ted Neal, but it is her photography that gives her an identity and a sense of agency. As she tells her students many years later: “You are the subject of your photographs. You act upon the object.”