A review of Steerage by Robert Cooperman

Cooperman’s narrative proceeds with something of the inevitability of a Greek tragedy, all three children under Big Nathan’s thumb, Rivka and Simon the chorus supplying the agonizing commentary in their strophe and antistrophe. When Big Nathan promotes Moshe from the role of enforcer, beating up the delinquent shopkeepers, to prizefighter, Moshe starts to come into focus as Brando’s Terry Malloy in On the Waterfront.

A review of A Review of The Never End: The Other Orwell, the Cold War, the CIA, MI6, and the origin of Animal Farm by John Reed

Once upon a time, authors’ lives were separate from their works. Readers took the written work from the page. Today, that is not the case. Life and art are inextricably entwined for public consumption. Often, I question the wisdom of this, but in Orwell’s case, it’s valid. Animal Farm is political, and it is reasonable to explore Orwell’s life in order to see the novel in context.

A review of Outcaste by Sheila James

Most scenes in the novel achieve several things at once, developing the characters key to the  complex family story while also showing the caste system and the political realities of the day. When Gandhi comes to Korampally to speak about the dangers of Hyderabad joining Pakistan, he addresses the peasant untouchables, with whom he’d lived for a while in 1934.