How Light Comes Up Off the Lake: a review of Old Snow, White Sun by Caroline Goodwin

Not at all self conscious, these poems are quite deliberate, the made thing. Each has its note of authority, as in the first poem’s first image, “the common loon made a thumbprint on the lake.” Part elegy, part journal, part memoir, part love song, part accusation, part celebration, all in the voice a person with something to say, a poet with the ability to make a word—loon, cattails, meadow—all her own.

A review of The Other Mother by Rachel M. Harper

Harper’s novel will engage fans of generational sagas and family dramas where long-buried family histories and secrets are unearthed, and where past choices explicitly affect the present and future of others in a snowball effect. The novel excels at revealing motherhood—or parenting––truly: falling in love with a person you’ve helped to create, and, in doing so, loving yourself in ways you couldn’t imagine; knowing you will sacrifice absolutely everything for them. 

A review of Monster Field by Lucy Dougan

The work feels intimate and subtle, as if a curtain were being opened, little by little, inviting the reader to peak behind the immediate appearance to find something more, for example, the simple act of putting up wallpaper–child and father, revealing so much that is unspoken and understood with hindsight:

A review of Voices of Freedom: Contemporary Writing from Ukraine edited by Kateryna Kazimirova and Daryna Anastasieva

The collection, which is beautifully curated, includes twenty seven living authors from the Ukrainian community, whose work explores a wide range of topics from the many invasions of the country, from the War in Donbas in 2014 which led to the annexing of Crimea through to the major escalation in February 2022, but also poems, essays and stories about the desire to maintain a cultural identity, oppression, love, the climate, forest, feminism, friendship, and pleasure.