A review of The Other Mother by Rachel M. Harper

Harper’s novel will engage fans of generational sagas and family dramas where long-buried family histories and secrets are unearthed, and where past choices explicitly affect the present and future of others in a snowball effect. The novel excels at revealing motherhood—or parenting––truly: falling in love with a person you’ve helped to create, and, in doing so, loving yourself in ways you couldn’t imagine; knowing you will sacrifice absolutely everything for them. 

A review of Monster Field by Lucy Dougan

The work feels intimate and subtle, as if a curtain were being opened, little by little, inviting the reader to peak behind the immediate appearance to find something more, for example, the simple act of putting up wallpaper–child and father, revealing so much that is unspoken and understood with hindsight:

A review of Voices of Freedom: Contemporary Writing from Ukraine edited by Kateryna Kazimirova and Daryna Anastasieva

The collection, which is beautifully curated, includes twenty seven living authors from the Ukrainian community, whose work explores a wide range of topics from the many invasions of the country, from the War in Donbas in 2014 which led to the annexing of Crimea through to the major escalation in February 2022, but also poems, essays and stories about the desire to maintain a cultural identity, oppression, love, the climate, forest, feminism, friendship, and pleasure.

A review of Ask No Questions By Eva Collins

There is a tension between old and new that remains a keynote throughout the book. Learning to accept the duality of her nationality, Eva reclaims her old self and her old name and transforms it into a unique hybrid. Ask No Questions is a book that explores serious topics. The trauma and sadness of the refugee experience is rarely covered through the viewpoint of a child, and Eva teases out that perspective with poetic delicacy, tracing the way in which this perception changes through time.

A review of Book of Knives by Lise Haines

You might be excused for thinking this particular carton of tropes has languished in the back of the Frigidaire long past its freshness date. You might be excused, that is, if you haven’t read Lise Haines’ deliciously creepy Book of Knives. To enter this modern gothic is to enter a realm of deep and unmooring uncertainty, where the living may prey on the living and the dead — just possibly — might help or harm.