Meredith Stricker is an artist and poet working in cross-genre media. She is the author of six poetry collections and recipient of the National Poetry Series Award. Her most recent book, Rewild, won the Dorset prize from Tupelo Press. She co-directs visual poetry studio, a collaborative focusing on architecture in Big Sur and projects to bring together artists, writers, musicians, and experimental forms. In this candid interview she speaks to Yasmine Guiga about her new book Rewild and the challenges she faced, reader expectations, inspirations, the search for aesthetic wholeness, TS Eliot, and lots more.
A review of Tuesday’s Child Is Full by PS Cottier
Cottier hides treasures in every poems. Some of the treasures are not easily accessible because the poet very cleverly has hidden them in abstract pictures painted with words. Consequently, some of the poems may need more than one reading to get to their meaning. Others, like a Rorschach test, open a door in your mind and allows you to search for your own meaning which can be an excellent stimulant for the imagination.
A review of Clean by Scott-Patrick Mitchell
The work is immediately hard-hitting, engaging with both the personal and the political in a way that feels as though it is removing layers from skin, revealing a deep vulnerability that is universal. The inherent pull between the many physical, philosophical and psychological impacts of addiction, attraction, joy and loss is rendered with such tenderness that the reader can’t help but feel as though Mitchell is writing about all of us, about the perilous and flawed nature of being human.
An interview with Adam Sass
Adam Sass spills the tea on his inspiration for writing, the relationship between his different books, his characterised settings, his themes, characters, plots, the influence of Wes Craven, literary breadcrumbs, his next YA, and lots more.
A review of Your Lonely Nights Are Over by Adam Sass
A review of The Badass Brontës by Jane Satterfield
Jane Satterfield vividly brings the Brontë sisters to life, showing them as quietly iconoclastic women in early nineteenth century England, at the dawn of the Industrial Revolution. While providing background in “dramatis personae” sketches and an historical outline at the end of the book, as well as copious illuminating epigraphs to many of the poems.
A review of Demon Copperhead by Barbara Kingsolver
Many novelists have retold classics from bygone eras. One thinks of Jane Smiley’s retelling of King Lear in A Thousand Acres and Curtis Sittenfeld transforming Pride and Prejudice into Eligible. The fun in reading adaptations lies in seeing how the characters turn out in a new setting, and whether or not the author retains the theme of the original classic.
Confronting Invisible Winds: A Conversation with Rachel Rueckert about East Winds
Rachel Rueckert is an award-winning writer, editor, and teacher. She holds an MFA in nonfiction from Columbia University as well as an M.Ed from Boston University. As a seventh-generation Utahn, her favorite subjects include place, family, mental health, unconventional spirituality, and climate change. In this in-depth interview, Rachel speaks about her new memoir East Winds.
A review of A Dangerous Daughter by Dina Davis
Ivy’s recovery only begins when the blame, punishment and shaming stops, thanks to an empathetic Freudian psychoanalyst who helps Ivy understand the nature of her illness. Davis’ writing is subtle and powerful throughout the book, focusing on Ivy’s growing sense of self and a slow, nonlinear healing process that rings true.
Amid the Glitz and Glam of Hollywood, City of Angles Just Can’t Find Its Light
We open on Vincenza Morgan, an aspiring young actress, who just so happens to have a corpse in her trunk. It’s a classic noir trope and rightfully so – the tension is immediate. As we untangle the strings that connect Vincenza to the man dead in her car – her lover, and one of the biggest stars of the screen – we explore Los Angeles and the entertainment industry.