Martin Langford reads from his new poetry book Ground, and talks about his overarching principle of spaces places and the evolution of the book as a collection, about time and timelessness, about Australian history and how it plays out in…
A review of Macbeth directed by Justin Kurzel
Faced with the prospect of a dreary peace, Macbeth the triumphant warrior goes for the main prize: King Duncan’s crown. It is an exhilarating adaptation of Shakespeare’s great tragedy but I feel that the emphasis is sometimes misplaced or even absent. For example, Lady Macduff’s ‘I have done no harm’ speech, usually the most moving in the whole play, is delivered while she’s on the run from murderers. They can’t hear her, we wonder why she’s starting a conversation. Run faster, woman.
A review of Lists of Note by Sean Usher
Ultimately, what Lists of Note shows us is that we’re not alone in our desire to tame the rush of information, tasks, and needs that bombards us everyday. Listmaking is both rational and helpful in our chaotic lives and has always been so. More importantly, Lists of Note teaches us that the list, is more than ephemera. It is a key to who we are, and at its best, can actually be a beautiful, and even artistic medium.
A review of IV (50 ‘I’ Statements) by Basil Eliades
Beyond the mistakes and the failings of humans which are highlighted in these poems, there is something that redeems us. We can, and must, love, and transcend. IV is a collection poetry about the ephemeral nature of life, of pain, about how we learn, grow, become mindful/present/enlightened, and above all, about love. No matter how much we’ve severed, sutured, eluded and deconstructed, love is always transformative.
A review of Selected Poems by Milan Jesih
Jesih is from Slovenia. Natural aspects of this country, along with the author’s own thrust toward existential questions, serve to inform the poems in the book. He takes notes while walking, while reflecting, and brings the reader along for the journey. One gets the sense from his poetry that Jesih is a peripatetic wordsmith.
A review of Ground by Martin Langford
Though the lessons that Langford presents through this work are harsh, the writing never falters. It is always lyrical, exquisite, and ultimately affirmative. Though there is nothing didactic about Ground, these are poems that teach us know to go on in the face of what we’ve done, through words, dance, sorrow, attention and ultimately love.
A review of Pasolini
It’s an uncompromising film by Abel Ferrara, quite in keeping with Pasolini’s own oeuvre, and he has made it in his own distinct way. Some scenes are straight forward, understated even, while others have a visionary quality. However, you always feel that Ferrara is in control of his material
A review of Iran, My Grandfather by Ali Alizadeh
It’s the story of many things at once: a country torn apart by power factions and manipulation, a story of a man and what happened to his patriotism over time, a story about genetic and cultural inheritance, a story about migration, and above all, what it means to lose a home—something as relevant today as it was during the time of Alizadeh’s migration.
A review of After You by Jojo Moyes
After You has many strengths, including an important theme and a compassionate, capable central character who follows her instincts in the face of unsolicited advice. Well structured, with much dramatic tension, After You can stand alone, independent of Me Before You. Significant information from the earlier novel is worked smoothly into the narrative in a way that maximizes suspense.
An interview with Juliette Wells
Juliette Wells is the editor and Introducer of Emma: 200th-Anniversary Annotated Edition. She joins us to talk about Jane Austin, what’s new in this edition, the illustrations, on teaching Austin, Austrians, what’s special about Emma, and lots more.