I found Bruce’s fascinating book packed full of information, statistics, photographs, and historical accounts His style is relaxed and friendly. Enormous amounts of facts are delivered in a pleasant and easy to read delivery, that carries the engrossed booklover from chapter to preceding chapter at an unexpected rate of pace. This is entertaining and informative reading at its best.
A review of Propaganda and Persuasion: The Cold War and the Canada-Soviet Friendship Society by Jennifer Anderson
n Propaganda and Persuasion, Canadian historian Jennifer Anderson explores the origins, activities and impact of the Canadian Soviet Friendship Society, a Cold War organization that existed from 1949 to 1960). As a high school student, Anderson became interested in the Soviet Union, which had ceased to exist by the time she entered university.
A review of An Accidental Profession by Daniel S. Jones
Undoubtedly, it’s rather nice to think that others are toiling away while we read about them, and the similarities and differences with our own working lives emerge with unusual clarity: occupations do not have to be exotic or abstruse for us to find them fascinating. An Accidental Profession is all about work: its organization and administration, what it does to people, the power of the corporation, our ambivalent relationships with our co-workers.
Common Denominators: A review of If I Understood You, Would I Have This Look on my Face by Alan Alda
The title to his newest and third book, If I Understood You, Would I Have This Look on My Face? and its subtitle, “My Adventures in the Art and Science of Relating and Communicating” reflects an intellectual sensibility conveyed clearly and directly. It underscores the very points he is trying to make in this book. Alda has a gift for speaking about lofty ideas in layman’s terms, and his fervor for his subject matter shines through. This passion is at the heart of what engages us.
A review of Muir Woods or Bust by Ian Woollen
There’s never been a more welcoming time in America than now for irreverent social satire, such as embraced by Ian Woollen’s latest called Muir Woods Or Bust. It winks and grins slyly as you determine to pick it up, a premonition of what you’ll soon be engaged in doing. I certainly welcome Woollen’s earthy, ground-shaking wit on display in its pages and you likely will also.
Interview with Melinda Smith
The award-winning author of Goodbye, Cruel, reads from her new book and talks about how it came together, the structure, her linked suites, the influence of Dante, her attraction to Rabi’a Balkhi and Persian poetry in general, on writing about sensitive…
A review of Devil’s Spring by Aaron Paul Lazar
Lazar is the master of the extended series, building his characters over years, slowly and richly so they become real to the reader. Little by little the characters backstories are revealed, even as we move forward in time and meet children and grandchildren. For readers coming back to the stories, there are plenty of ‘easter eggs’ or references to pick up on.
A review of She Receives the Night by Robert Earle
As described by the publisher, that is an ambitious undertaking for any writer – especially perhaps for a male writer – and one that requires immense artistry and intelligence. Earle has these things in abundance, and he uses them to compelling effect. Many of these stories are gems of the form; they feel inevitable, surprising, effortless.
A review of Goodbye, Cruel by Melinda Smith
Signs speak, horror rises through the floorboards, Hedge-Triffids surround the houses, and children poke sticks at dead possums. There is everywhere a clash between life and death; decay and renewal. Though Goodbye, Cruel explores painful places in a way that cuts deeply, ultimately the work is affirmative, moving back and forth into the particular and outwards into the universal. Smith does an exceptional job of bridging the gap between the absurd, the tragic and the domestic, turning it all into something tender and sublime.
A review of Life in Suspension by Hélène Cardona
There is something instinctual here, with freedom at the base. Perhaps this is why Cardona features animals in her poetry. They remind us that we too are instinctual and that this part of us can be in motion more often if less constrained by the mind. But we must not move away too quickly from the mind. Imagination lives there. This lesson, too, is in Cardona’s work, as the poet is “gardener of memories” (Ouranoupolis Pantoum 45).