A review of A Jarful of Moonlight by Nazanin Mirsadeghi

All poems are reflective of universal human experiences. The poems are short and uncomplicated. Mirsadeghi shares poems on self and eros love, friendship, sadness, longing, pain, heartbreak, and healing. Some of the poems are heart wrenching. I heard a desperate plea for love’s understanding and reciprocity. The reader is invited to share in this heartache and sadness.

Interview with Oranmore

Oranmore, also known as Dominick Mereworth, is a poet and playwright. He drops by to talk about his latest book Sparkling Fountain, his inspiration, his writing process, tips for aspiring poets, typical writing day and more.

Interview with C.R. Richards

The author of The Obsidian Gates talks about the latest book in the Heart of Warrior series and how it came to fruition, the biggest surprises in the book, her special research, what keeps her writing, her influences and mentors, her other works, what’s next and lots more.

A review of These Wild Houses by Omar Sakr

It’s hard to think of Sakr as an emerging voice – his work seems to have been everywhere over the past few years. The work in These Wild Houses has such a strong sense of assurance. This is an impressive and very moving collection that not only explores the important terrains of both everyday and institutional racism, the migrant experience, identity politics, trauma and grief, but that also presents a deeply personal and moving story that very deliberately draws the reader in and invites collusion and connection.

A review of Bleeding Hearts by Josh Aterovis

In the manner of Dorien Grey and his Dick Hardesty series, Aterovis has crafted a group of characters who are very credible. From the imperious homophobic father, the demoralized mother and on to the optimistic girlfriend, as well as each of the other actors in this work; the individuals are not always likeable. They are, however, plausible, well-fleshed and convincing.

Spotlight on Faber & Sarah Menary

Menary’s road to this prominent role with the Academy has been a long one, the provenance of which can be traced right back to Menary’s childhood where, as a child of seven or eight she already possessed a burning passion for writing and one that she largely kept hidden. ‘It was a very covert pleasure, because I didn’t get much validation at home for that, it was all about academic, getting a secure career, that sort of thing.’

A review of The Diary of Esther Small 1886 edited and transcribed by Sarah Sousa

Sousa was not simply intrigued. She was invested. She deciphered the entries, sleuthed the cemetery records and censuses, and extensively researched nineteenth century women’s diaries, as evidenced in her luminous afterword on the subject. Surpassing the role of transcriber of Small’s logbook, Sousa became conservator and steward of the archive of her daily life.