In her new book of poems, Torohill, Reis revisits her past in a very human way that is intensely reflective, sometimes brutally stark, and often quite humorous. If comedy is just the other face of tragedy, then our catharsis lies within the synthesis of both. Reis knows this instinctively and expertly weaves both through her poems. It renders them remarkably touching but not in a saccharin or intentional manner. She allows feelings to vacillate and often startle and surprise us organically and authentically.
Category: Poetry Reviews
A review of Ecliptical By Hazel Smith
Ecliptical is a masterful book, full of smart details that will challenge and stretch the most dedicated of readers, but also dark, playful, often funny and always fun to read. The book is political and engaged with current affairs and events and very serious in the way it confronts violence, loss, inequities, and a wide array of impending ends, but it never takes itself too seriously.
A review of Nothing But Light by Barbara Schwartz and Krista J.H. Leahy
Nothing But Light teems with characters such as Eve and Gaia, Judy Chicago and Hilma Klint woven into this tapestry of feminine wholeness, a wholeness that embraces rather than excludes. I love the power and playfulness of these poems that center the physical within the context of spiritual questing.
Stronger Than Fear: Poems of Empowerment, Compassion, and Social Justice edited by Carol Alexander and Stephen Massimilla
As the title Stronger than Fear suggests, the book wishes to raise spirits for justice rather than fight it out on the streets or the courtrooms, which is where most, but not all, social justice works itself out. It’s a valiant effort to tilt at windmills. (How many times have poets reminded us that poetry does nothing?).
Ascent into Blue: a review of Mist in Their Eyes by William Doreski
For its imagery, lyricism and thought “Absolute Pine,” a very human poem really, is a fitting conclusion to this collection that is serious and funny, fraught with gloom and light, and good lines in memorable poems about people, places and things. A collection of poems in the distinct voice of a poet at the height of his skills.
Figurative in Forms: A review of The Fickle Pendulum by Paul Scully
Scully’s The Fickle Pendulum is moody, joyous and dedicated to abstraction. It is an artist’s tome, a compendium for illustrating ideas or painting religious psalms and a reader’s banquet. As the title suggests, there is no route to follow in the inside pages because, like life, it is cyclic.
A review of The Lantern Room by Chloe Honum
It would be foolish to start this review by saying these are the most beautiful poems I have ever read, but they are beautiful. From the first infinitely delicate poem where on the eve of turning thirteen, in a revelatory Paul of Tarsus moment, Honum discovers an angel of poetry whose ancient “mottled language” she will now speak, through all the book’s poems that look closely at and identify with small creatures, including butterflies, luna moths, hornets, sparrows, spiders, and sorrows, these are beautiful poems.
A review of Mirabilia by Lisa Gorton
The richness in Gorton’s creativity is evident in all her poems, but in the second section of the book titled “Tongue” I was fascinated by how the poet takes the reader on trips to the past with narrative poetry that contains vivid images and keeps the reader glue to the page.
A review of All Poetry by Paulo Leminski
Ultimately, this collection brings a great new poet to light from a country that often gets overlooked in English writing. Even more though, the variety of the work shows us that Leminiski is a poet who lived through poetry. He thought, breathed, and dreamed poetically, and the reader can delve into that life by experiencing the stages of it in this collection.
A review of How Beautiful People Are by Ayaz Pirani
A preternatural intelligence is required to understand the complexity of beauty and to hold beauty with reverence and respect for objectivity. Pirani gives depth to these contemplations as well as to the practice of observation. The poem investigates a balance between what is and what is observed. The reflection and mergence between the viewer and the viewed arrives at the crossroad of what may quickly be lost.